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Start Over Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Online Content Not Available Subject Art Form Audiovisual materials

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James Brewton papers, 1902-2014 (inclusive) 1951-1967 (bulk)

Extent:
2 linear feet (7 boxes, 5 oversize folders) and 1.2 gigabytes
Abstract:
James Edward Brewton (1930-1967) was an American painter and printmaker who attended the Pennsylvania Academy of the Fine Arts and exhibited works in Philadelphia and in Denmark. Brewton's early works are said to be expressionist and his later works incorporate graffiti and the influences of "pataphysics." His life was cut short by suicide at the age of 37. The collection is arranged in four series: I. Personal material; II. Artworks; III. Books and audiovisual materials; and IV. Artifacts and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Graeme Moore collection of Ian Hamilton Finlay material, 1972-2013 (inclusive)

Extent:
8 linear feet (10 boxes) and 492.1 megabytes
Abstract:
Ian Hamilton Finlay (1925-2006) was a Scottish poet, artist, and landscape and garden designer, best known for his prints and pamphlets and his iconic garden Little Sparta, a collaboration with his second wife, Sue MacDonald-Lockhart. Graeme Moore is an English landscape and garden designer and critic, and former head gardener of Little Sparta. This collection contains material collected by Graeme Moore related to his relationship with Ian Hamilton Finlay and Finlay's work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Painted Bride Art Center records, 1969-2002 (inclusive)

Extent:
223 boxes
Abstract:
The Records comprise 6 series, the largest and most significant of which is the first: I. Exhibitions, Performances, Readings, and Events, 1970-2002 (125 boxes). Arranged alphabetically by artist/program, this series contains correspondence, publicity material, programs, funding material, and the like for each event or performance. The remaining series entail: II. Business Records, 1970-2002 (40 boxes); III. Grant Records, 1972-2002 (15 boxes); IV. Press Records, 1970-2000 (6 boxes); V. Audio Visual Records & Computer Records, 1970-2001 (29 boxes); VI. Miscellaneous Records, 1976-2000 (6 boxes).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]