People: Oakley, Violet, 1874-1961 - Philadelphia Area Archives Search Results

Extent:: 216.75 linear feet
Abstract:: The Anne d'Harnoncourt Records correspond to the quarter of a century that Anne d'Harnoncourt (1943-2008) served as the George D. Widener Director of the Philadelphia Museum of Art (PMA), assuming the additional responsibilities of Chief Executive Officer in 1997. During her tenure, d'Harnoncourt led the Museum through milestones that transformed its collections, exhibitions, curatorial and educational missions, and physical environment. The records she compiled during that time provide the framework for those transformations and underscore the attention to detail, encyclopedic intellect and interests, community commitment and contagious enthusiasm for the arts that characterized d'Harnoncourt's styles of leadership and life. D'Harnoncourt maintained most of her files in large groups of alphabetically arranged names and subjects. Her exhibition records, however, were kept separate, implying an affinity for a subject she learned well during her earlier curatorial years. Other topics...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

Extent:: 0.18 linear ft. (5 volumes)
Abstract:: The signature albums of Irvin C. Poley include autographs of famous people, particularly authors, actors, and those in government or diplomacy, primarily sent to Poley, though there are other recipients as well. Many of the instances are signatures. Some of the more well-known authors who wrote letters, rather than just signatures, often relate to speaking at an event or a fund solicitation or response to comment or request for signature from Poley.

Held at: Haverford College Quaker & Special Collections [Contact Us]

Extent:: 14.5 linear ft.
Abstract:: Henrietta Cozens (fl. 1900-1930s) was a horticulturalist and a friend of the artists Elizabeth Shippen Green Elliott (1872-1954), Violet Oakley (1874-1961), and Jessie Willcox Smith (1863-1935). In 1902, the three artists held their first group exhibition at the Plastic Club, a professional organization for women artists on Camac Street in Philadelphia. After their experience renting studio space at Bryn Mawr College to escape the summer heat of the city, they decided in 1902 to lease the Red Rose Inn in Villanova, where they lived and worked until 1906. The collection consists of correspondence, art, photographs, papers, and other miscellaneous materials.

Held at: Bryn Mawr College [Contact Us]

Held at: Swarthmore College Peace Collection [Contact Us]

Extent:: 50.0 linear feet
Abstract:: Violet Oakley (1874-1961) was a painter, muralist, and stained glass designer in Philadelphia, Pennsylvania. She was the first American woman to receive a public mural commission. She is best known for the series of murals she completed for the Pennsylvania State Capitol and her Renaissance-revival style of art. The Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949, consists of artworks and preliminary works done by Violet Oakley beginning from the time she was a child and adolescent to her adult work; works done by other Oakley family members including Violet's sister, Hester Oakley; materials used for reference, including reference photographs and scrapbooks on books, book making, and illuminated manuscripts; copies of Oakley's books The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933); materials used to make copies of the books; and printed matter...(see more)

Held at: Woodmere Art Museum [Contact Us]

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