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Start Over Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Subject Music Form Memorabilia Year 1900 to 1949

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Marian Anderson papers, circa 1900-1993 (inclusive)

Extent:
450 boxes
Abstract:
The Marian Anderson Papers are comprised of correspondence; business records and contracts; manuscript and typescript biographical materials; notes, journals, calendars, and financial documents; programs and publicity materials; awards and honorary degrees; clippings; scrapbooks; memorabilia; and some materials belonging to her sisters Alyse Anderson and Ethel De Preist, her mother Anna D. Anderson, and her husband, Orpheus H. Fisher. As a result of a Council on Library and Information Resources (CLIR) project, "Discovering Marian Anderson," selections of material from this and other Marian Anderson collections may be viewed online.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Leopold Stokowski papers , 1916-1994 (inclusive)

Extent:
47 boxes (+ 1 map drawer)
Abstract:
Some personal papers of Leopold Stokowski, including correspondence to and from Stokowski, notebooks, calendars, bank statements, royalty statements, insturance records, and contracts; this includes some correspondence and contracts related to Stokowski's tenure as conductor of the Philadelphia Orchestra (bulk 1937-1946). Also includes writings by and about Stokowski, obituaries, programs, photographs, scrapbooks, clippings, awards, memorabilia, and issues of three newsletters devoted to Stokowski. Also includes administrative correspondence of the former curator of the Leopold Stokowski Collection at the Curtis Institute of Music, Dr. Edwin E. Heilakka, 1980-1994.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ted Weems collection, circa 1910-1985 (bulk: 1922-1965) (inclusive)

Extent:
18.3 linear feet (47 boxes)
Abstract:
Ted Weems (1901-1963) was a musician, an American bandleader, and the director of the Ted Weems Orchestra. He gained national renown for several hits, including "Somebody Stole My Gal," "Piccolo Pete," and "Heartaches." This collection documents the professional musical career of Weems with scores, sheet music, and song sheets; photographs and images; scrapbooks; and recordings. There is limited family and personal material; and in general, this collection shows Weems's public persona rather than the private man.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Mahler-Werfel papers, 1880-2004 (inclusive) 1898-1975 (bulk)

Extent:
134 boxes
Abstract:
The collection comprises the personal papers of Alma Mahler, the personal and professional papers of Franz Werfel, memorabilia related to Gustav Mahler, and the research files of Adolf D. Klarmann concerning Franz Werfel. Materials include correspondence to and from Alma Mahler and Franz Werfel, as well as to and from Adolf Klarmann, sometimes on behalf of Alma; writings of Alma, such as diaries and memoirs, as well as her musical compositions; writings of Werfel, such as poems, plays, novels, novellas and stories, and essays; memorabilia relating to Alma, her parents, Gustav Mahler, and Werfel, such as clippings, programs, and personal documents; photographs (many of which are online); and audio files, such as interviews and songs. Also included are Klarmann's research notes and writings on Werfel, as well as material relating to Klarmann's work as editor of Werfel's writings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Marlboro Music School and Festival records, 1946-2013 (inclusive)

Extent:
150 linear feet (227 boxes, 3 oversize folders)
Abstract:
The Marlboro Music School and Festival Records spans Marlboro's history from 1950 through 2013 and showcases its influence on chamber music in America as it documents its growth from a small and informally organized summer school in the early 1950s to its current status as a prestigious institution that has shaped careers and inspired the formation of numerous renowned ensembles. The school's emphasis is on the intensive study of chamber music where young and senior professionals collaborate in a relaxed atmosphere that is removed from the demanding rehearsal and performance schedules that they face throughout the year. The collection comprises administrative documents, concert programs, printed promotional materials, articles and reviews, photographs, and audio-visual materials relating to the Marlboro School of Music and annual summer festival as well as the related Musicians from Marlboro touring series and the Marlboro Recording Society.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Rudolf Serkin and James Heineman correspondence, 1942-1991 (inclusive)

Extent:
0.4 linear feet (1 box)
Abstract:
Rudolf Serkin (1903-1991) was a pianist who is widely regarded as one of the greatest Beethoven interpreters of the 20th century. He was the director of the Curtis Institute of Music in Philadelphia from 1968 to 1976 and founded the Marlboro School of Music in Vermont. James H. Heineman was the director of the the Heineman Foundation from the mid 1960s through the 1980s and was a donor to the Marlboro School of Music and Festival. This collection contains correspondence, ephemera, and newspaper clippings. The correspondence is between Rudolf "Rudi" Serkin, Irene Serkin and James "Jimmy" H. Heineman and dates from 1948 to 1991.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American Musicological Society records, 1934-1992 (inclusive)

Extent:
122 boxes
Abstract:
This collection comprises the administrative records of the Society, reflecting trends in musicological scholarship and academic training through the course of the twentieth century. Included is correspondence with individuals and institutions related to music research, as well as correspondence among officers of the Society and among committees. Also included are minutes, membership records and directories, records of annual meetings, events and chapters, financial and tax records, and miscellaneous administrative records. Publication series contains substantial correspondence with authors and editorial staff regarding scholarly works, including Tischler's Earliest Motets, the Works of William Billings, Ockeghem's Works, and the New Josquin Edition. Administrative correspondents include Presidents Charles Seeger, Curt Sachs, Gustave Reese, Donald Grout, William Mitchell, William S. Newman, Oliver Strunk, Jan LaRue, James Haar, Claude Palisca, Margaret Bent, H. Wiley Hitchcock,...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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James DePreist papers, 1869-2014 (inclusive) 1958-2013 (bulk)

Extent:
98 linear feet (130 boxes, + 2 map drawer folders) and 872.0 megabytes
Abstract:
James DePreist (1936-2013) was an African-American conductor of international renown. This collection primarily documents James DePreist's conducting career, with a focus on the 1980s and 1990s with the Oregon Symphony, including organizational records, concert programs, press coverage, scores, and recordings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]