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FOCUS Archives, 1972-1975 (inclusive)

Extent:
2.0 linear feet (2 containers)
Abstract:
"FOCUS: Philadelphia Focuses on Women in the Visual Arts" was a city-wide arts program that occurred in April and May of 1974 and featured mostly East Coast artists and scholars. Initiated by Philadelphia painter Diane Burko, the two month program included art exhibitions, juried shows, panels, lectures, workshops, demonstrations and film viewings, all organized by Philadelphia-area women who were involved with the arts. The central event of the FOCUS program was “Women’s Work: American Art, 1974,” a contemporary art exhibit financed by and held in the Museum of the Philadelphia Civic Center. Other FOCUS events focused on topics such as race, history, and the realities of being a female artist.The records in the FOCUS collection date from 1972 to 1975 and include meeting minutes from various FOCUS committees, outreach and advertising documents, correspondence, and records of the grant application process. Despite the relatively brief existence of the initiative, the deliberate...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Community Programs and Urban Outreach Records, 1970-1980 (bulk) 1951-1984 (inclusive)

Extent:
18.0 linear feet (18 containers)
Abstract:
The Department of Urban Outreach (DUO) of the Philadelphia Museum of Art was established in 1970 as an effort to reach new audiences by bringing art and art programs directly into Philadelphia’s inner city neighborhoods. In 1977, it became the Department of Community Programs, hereafter referred to as the Department. This collection documents the activities of the Department. The records date from 1951 to 1984, the bulk dating from 1970 to 1980, and include correspondence, exhibit planning documentation, photographs and scrapbooks, information concerning artists involved in various projects, and some general research files concerning related events and initiatives in the art community. While the collection does not provide comprehensive documentation of all aspects of the Department, it does include a wide variety of resources that demonstrate the Department’s intentions of appealing to culturally, economically and ethnically diverse communities. Of particular interest are the...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marketing and Public Relations Department Records, 1960-1995 (bulk) 1927-2006 (inclusive)

Extent:
67.0 linear feet (67 containers)
Abstract:
The Philadelphia Museum of Art was founded in 1876, just after the close of the United States Centennial Celebration. While a Public Relations office has long been part of its organizational structure, the Museum did not designate a formal office of Marketing until 1994. That year's annual report noted for the first time a joint Marketing and Public Relations department operated by a staff of seven. The Marketing and Public Relations Department records houses photographs and documents created and used by the marketing team at the Philadelphia Museum of Art to promote exhibits, events and other activities of the Museum and its various departments. The records were used for external advertising as well as for publication in the Museum’s internally produced and distributed publications, like the annual report or the Bulletin . The collection dates from 1947 to 1999 (bulk: 1970-1995) and includes a wide array of materials, including photographs of events and featured works of art, press...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Evan H. Turner Records, 1964-1978 (inclusive)

Extent:
146.0 linear feet (146 containers)
Abstract:
Evan H. Turner (born 1927), an art historian and scholar, was the Director of the Philadelphia Museum of Art (PMA) from 1964 to 1978, leading the Museum through a period of significant growth and transformation. He created new art departments for American and 20th Century Art, and the innovative Department of Urban Outreach (DUO) to promote art across the City of Philadelphia. These progressive activities were matched by a groundbreaking exhibition in 1973, the Marcel Duchamp retrospective, which drew upon significant scholarship and assembled virtually the entire oeuvre of one of the most important artists represented in the Museum. In 1975, Turner led the Museum in a major construction project to install a new climate control system in the building, and in 1976, he helped plan the United States’ Bicentennial and the PMA’s Centennial celebrations. Turner was an active member of a number of professional organizations, as well as a professor at the University of Pennsylvania. The...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Board of Trustees Records, 1875-1998 (inclusive)

Extent:
20 linear feet
Abstract:
These records consist primarily of meeting minutes of the Museum's Board of Trustees and Executive Committee, from the time of the institution's incorporation to the 1990s. Reports presented at Trustee meetings, resolutions and minutes of meetings of a few of the earliest Standing Committees are also included. Gifts, loans, membership and finances are the most frequently discussed topics. Other material pertains to the exhibitions of 1888 and 1889, held to promote American industrial arts, and the Museum Fund, a fundraising and publicity campaign introduced in the late 1920s. Indexed correspondence from exhibitors documents the former. The latter consists primarily of correspondence, proposal and summary reports, and ephemera.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Conservation and Technical Research Collection, 1932-1969, undated (inclusive)

Extent:
39 linear feet
Abstract:
The collection documents the establishment and early operations of the Philadelphia Museum of Art's conservation laboratory and the use of photographic technology in conservation and curatorial work. While the majority of the material pertains to the activities of Henri Marceau, Curator of Painting and Sculpture, and of the John G. Johnson Collection, and of David Rosen, who served as an adviser to the Museum's conservation and technical research projects, the collection also includes some records of Theodor Siegl, who was hired as the Museum's first full-time conservator in 1955. In addition to correspondence, technical brochures, and educational materials, the collection includes extensive files of prints, negatives, and lantern slides documenting works of art in the Philadelphia Museum of Art and John G. Johnson collections, as well as works sent to the Museum for restoration and/or exhibition purposes.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Research Collection, 1933-2003, undated (inclusive)

Extent:
9 linear feet
Abstract:
The Marcel Duchamp Research Collection is comprised of ephemera, photographs, clippings, writings and correspondence related to the artist Marcel Duchamp, his life, work, and legacy which was collected and compiled by the Department of Modern and Contemporary Art, Philadelphia Museum of Art.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Arensberg Archives, 1905-1957, undated (inclusive)

Extent:
33 linear feet
Abstract:
Art collectors Walter and Louise Arensberg amassed a seminal collection of Modern and pre-Columbian art between 1913 and 1950, when they presented it to the Philadelphia Museum of Art. The Arensberg Archives contain correspondence, ephemera, clippings, writings, personal and art collection records, and photographs documenting the couple's art collecting activities as well as their friendship with many important artists, writers and scholars, including Marcel Duchamp, Charles Sheeler, Walter Pach, Beatrice Wood, and Elmer Ernest Southard. The collection also includes some material related to Walter Arensberg's study of Francis Bacon and the founding of his research institute, the Francis Bacon Foundation.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Rodin Museum Records, 1892-1991, undated (inclusive)

Extent:
4 linear feet
Abstract:
The Rodin Museum, located on Benjamin Franklin Parkway, houses Philadelphian movie theater magnate and philanthropist Jules E. Mastbaum's exceptional collection of works by French sculptor Auguste Rodin. Mastbaum amassed the collection between 1923 and 1926 for the expressed purpose of founding a museum for the citizens of Philadelphia. The buiding was designed by noted architects Paul Philippe Cret and Jacques Greber between 1926 and 1929. The Rodin Museum is administered by the Philadelphia Museum of Art. Records in this collection document the administration, maintenance, and renovation of the Rodin Museum.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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