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Peter Owen publishing records
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Held at: University of Delaware Library Special Collections [Contact Us]181 South College Avenue, Newark, DE 19717-5267
This is a finding aid. It is a description of archival material held at the University of Delaware Library Special Collections. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
British publisher Peter Owen was born in Nuremberg, Germany, in 1927, to a Jewish father and an English mother. He went to England in 1933 in order to live with his grandparents and was soon joined by his parents as Hitler came to power. In England, his father ran the Vision Press, which is now defunct. Owen served in the Royal Air Force for six months.
After an apprenticehip at the Bodley Head press and additional experience with small publishers, Peter Owen established his own small press in 1951 at the age of twenty-four. He worked out of his home and his first editor was Muriel Spark. The first major book published by Peter Owen was an English translation of Herman Hesse’s novel
Siddhartha (1954), which began his firm's tradition of publishing important international authors in translation. Since then, Owen’s independent press has published seven Nobel Prize winners as well as numerous notable authors, including Paul Bowles, Ezra Pound, Blaise Cendrars, Jean Cocteau, Rabindranath Tagore, and Peter Vansittart. Peter Owen Ltd. (later named Peter Owen Publishers) specializes in translations of international literature, biographies, and avant garde works, particularly works by gay writers.Peter Owen also personally compiled an anthology commemorating his fortieth anniversary,
The Peter Owen anthology : forty years of independent publishing, and edited several other works about the publishing industry, including Publishing now and Publishing, the future. He celebrated his eightieth birthday in 2007 and his press, which has remained independent since its inception, continues to publish."Peter Owen Publishers." http://www.peterowen.com/index.html (accessed May 8, 2008).“‘She Sat Eating Caviar and Didn't Offer Me Any’,” Philadelphia Inquirer, February 25, 2007. http://www.telegraph.co.uk (accessed May 8, 2008).Additional information derived from the collection.
Peter Owen publishing records is the publisher’s archive (1950s-1995) of an independent British firm renowned for its international list of major authors and avant garde works. The bulk of the collection consists of the production files of selected works, primarily from the 1980s and 1990s, including edited typescripts, proofs, and other materials documenting the process of turning an author’s manuscript into a finished book.
The collection also contains correspondence between Peter Owen, his editors, authors, and related businesses and individuals. Many of the correspondence files contain both original letters from authors and others as well as carbon copies of Peter Owen’s outgoing letters. Overall, the collection documents the editorial process undergone by the works published by Peter Owen, the authors’ thoughts regarding their works, the editorial decisions made by Peter Owen and his editors, the financial and legal considerations involved in running a press, and the role Peter Owen played in the post-war European artistic and intellectual scene.
Many of the notable authors published by Peter Owen are represented in this collection with correspondence related to the editing of their works as well as records of the changes made to works between manuscript and final printed book. In addition, because Peter Owen Ltd. is a small, independent, firm, some of the correspondence with authors is of a fairly personal nature.
The collection is arranged in five series: I. Production files; II. Incomplete projects; III. Peter Owen’s projects; IV. Business correspondence; and V. Additional correspondence and agreements.
Series I. Production files, contains edited typescripts and several stages of proofs for works of fiction and non-fiction published by Peter Owen from 1956 to 1994. These materials document the editorial stages involved in the publication of a book as well as the changes in printing and typesetting technology over these decades. The series also contains correspondence and other editorial materials related to the authors represented.
Series I. contains full versions of works in various editorial stages by 56 authors writing in English and 35 international authors in translation. Of the authors writing in English, those represented by multiple works are Paul Bowles (who also served as a translator for Rodrigo Rey Rosa and was the subject of an anthology compiled by Peter Owen editor Gary Pulsifer), Evelyn Farr, H.B. Gibson, Gloria Hargreaves, John Haylock, David Herbert, Fiona Pitt-Kethley, Jeremy Reed, Elisabeth Russell Taylor, Anne Valery, Peter Vansittart, and Noel Virtue. Of the translated authors, those represented by multiple works are Shusaku Endo, Knut Faldbakken, Wolfgang Georog Fischer, Yasushi Inoue, Christer Kilman, Dacia Maraini, Marga Minco, Oscar Parland, Joseph Roth, Marquis de Sade, and Vesaas Tarjei. The series also contains anthologies compiled by seven editors and smaller editorial and/or correspondence files for the works of fifteen additional authors. Of the nearly fifty translators represented in this series, some such as Joan Tate, Margaret Crosland, David Le Vay, Nina Rootes, and Norman Glass have translated the works of multiple authors for the firm.
One concentration of this publishing firm is biography. Some notable autobiographies and memoirs in this archival collection were written by Oliver Bernard, Moura Lympany, Edith Piaf, and Mary Robinson. In addition, authors and artists such as Jean Cocteau, Anne Cumming, Stewart Home, and Jeremy Reed represent the firm’s concentration in avant garde, erotic, and lesbian/gay/bisexual/transgender (LGBT) works.
Series II. Incomplete projects, contains materials related to works that were not ultimately published by Peter Owen. This series contains manuscripts and sample chapters of some works Peter Owen chose not to publish as well as correspondence files documenting legal and/or copyright issues that prevented publication of other works.
Series III. Peter Owen’s projects, contains materials related to projects Peter Owen was involved in more directly as writer or editor. These projects range from anthologies edited by Owen to short pieces written by Owen for publication in periodicals. This series also contains correspondence related to Peter Owen’s thirtieth and fortieth anniversary celebrations.
Series IV. Business correspondence, contains Peter Owen’s files of correspondence with presses, literary agents, and other businesses. This series documents the legal, copyright, and other issues involved in running an independent press. There is a particularly substantial quantity of correspondence with Howard Moorpark, Peter Owen’s literary agent.
Series V. Additional correspondence and agreements, contains all correspondence and other small items not related to any of the previous series. The individuals represented are authors, translators, literary agents, friends, and other people somehow related to Peter Owen. There is a particularly substantial amount of correspondence from Charles Gustav Bode, Margaret Crosland, Lillian Halegua, David Le Vay, A. E. Murch, Stanley J. Rubinstein, and Lady Vyvyan. This final series demonstrates the breadth of Peter Owen’s involvement in literary and artistic circles.
The material in this collection was acquired by the University of Delaware Special Collections in a series of accessions in the 1990s. Earlier accessions of Peter Owen’s files are included in the Paul Bowles collection and other Peter Owen records are at the University of Texas at Austin.
- Boxes 1-29: Shelved in ANNEX MSS record center cartons
- Box 30: Shelved in SPEC MSS oversize boxes (17 inches)
- Boxes 31-33: Shelved in SPEC MSS oversize boxes (18 inches)
- Box 34: Shelved in SPEC MSS oversize boxes (24 inches)
- Removals: Shelved in SPEC MSS oversize galleys
- Removals: Shelved in SPEC MSS Audio cassettes
Purchases, 1991-1995.
Gifts, 2010 and 2015.
Processed by and encoded Kate Hand, February-May 2008. Updated by Maureen Cech, September 2015.
People
- Bernard, Oliver
- Bowles, Paul, 1910-1999
- Cocteau, Jean, 1889-1963
- Cumming, Anne
- Endō, Shūsaku, 1923-1996
- Faldbakken, Knut
- Farr, Evelyn
- Fischer, Wolfgang Georg, 1933-
- Gibson, H. B. (Hamilton Bertie)
- Glass, N. M. (Norman M.), 1894-1976
- Hargreaves, Gloria
- Haylock, John
- Herbert, David
- Home, Stewart, 1962-
- Inoue, Yasushi, 1907-1991
- Kihlman, Christer, 1930-
- Lympany, Moura, 1916-2005
- Maraini, Dacia
- Minco, Marga
- Parland, Oscar, 1912-1997
- Piaf, Edith, 1915-1963
- Pitt-Kethley, Fiona, 1954-
- Reed, Jeremy
- Robinson, Mary, 1758-1800
- Rootes, Nina
- Roth, Joseph, 1894-1939
- Russell Taylor, Elisabeth, 1930-
- Ruyslinck, Ward, 1929-2014
- Sade, marquis de, 1740-1814
- Tate, Joan
- Valery, Anne, 1926-2013
- Vansittart, Peter
- Vesaas, Tarjei, 1897-1970
- Virtue, Noel, 1947-
- Bode, Charles Gustav, 1901-
- Crosland, Margaret, 1920-
- Halegua, Lillian
- Le Vay, David
- Moorepark, Howard
- Murch, A. E. (Alma Elizabeth)
- Pulsifer, Gary
- Rubinstein, Stanley J. (Stanley Jack)
- Vyvyan, Clara Coltman Rogers
Organization
Subject
Occupation
- Publisher
- University of Delaware Library Special Collections
- Finding Aid Author
- University of Delaware Library, Special Collections
- Finding Aid Date
- 2008 May 15
- Access Restrictions
-
The collection is open for research.
- Use Restrictions
-
Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce isrequired from the copyright holder. Please contact Special Collections Department, University of Delaware Library, https://library.udel.edu/static/purl.php?askspec
Collection Inventory
The first series contains materials used in the production of books published by Peter Owen. Most works have an edited typescript and several versions of proofs.
The production materials in this series represent the various stages of the editorial processes. In Peter Owen, Ltd., as well as in the publishing industry in general, an author or translator typically submits a fair copy (unmarked) typescript of a work to the publisher. This typescript is then edited and sent to the printer, who typesets the work. The proofs are sent to the publisher to be edited both by the author or translator and by the publisher’s in-house editor. These corrections are collated, copied onto a single set of proofs, and returned to the printer. Depending upon the number of mistakes, the printer will then produce a number of revisions, either of the entire work or of selected pages, before the final version is printed for sale.
Because the publishing dates of the works represented in this series span several decades, the proofs in the collection are distinguished not only by their position in the above editorial process, but also by the physical form of the proof as determined by the technology in use at the time. Galley proofs, which were used primarily for books published up until the 1970s, are proofs printed on long strips of low-quality paper. The first versions of galley proofs are usually unpaginated and lack preliminary matter. At the same time, the printer would send Peter Owen several specimen pages, demonstrating what the book would look like in regular form. In the earliest projects in this collection, subsequent proofs are paginated but still printed as columns of pages on galley-size paper. Slightly later projects have book proofs, which are paginated proofs bound in paper, in addition to the initial sets of galleys. Works typeset on computers usually do not have galley proofs. All sets of proofs for these works are paginated and printed on loose sheets of paper. However, some projects in this collection do have unpaginated or “galley” proofs printed as two columns of text on non-galley paper. Some works, particularly those with graphics and or illustrations interspersed with the text, also have page layouts (sometimes labeled “double-page spreads” or “flat plan”), for which the design of each page is laid out using blocks of text and illustrations glued onto a larger sheet of paper.
This series also contains correspondence from the authors and other materials related to the production of the works. “Correspondence” includes letters primarily from the author or translator. “Editorial correspondence” includes letters not only from the author but also from other people involved in the project. An “editorial file” is Peter Owen’s production record of a work containing some correspondence as well as smaller editorial items such as style sheets, index typescripts, sample chapters, and visual material. Because many translators worked on several different authors for Peter Owen, some of their correspondence files are included in the fifth series of “Additional Correspondence.”
Material in the “Production Materials” series is alphabetized by original author. Multiple works by one author are alphabetized by title. Compilations are alphabetized by main editor. Typescripts and proofs are marked with corrections unless otherwise noted.
Removed to SPEC MSS oversize galleys
All Bowles correspondence files include copies of both Bowles's and Peter Owens's letters.
Includes correspondence with Jane Bowles.
Includes autograph and signed letters from Bowles as well as correspondence from other people related to various editorial projects
Removed to SPEC MSS Media Audiocassettes
With drawings by Marguerite McBey
Edited photocopy of previous edition
Includes galleys, double-page spreads and master set of page proofs.
Edited photocopy of previous edition
Correspondence includes letters from author (in German), translator, and readers of work providing promotional quotes
Includes typescript of index
Contains one signed letter from Carling; also includes reader reports for several works by Carling
Includes translator's corrected proofs, collated proofs, and revised proofs.
Includes page layouts for front matter
2 items
Includes signed letters from Margaret Crosland and Edouard Dermit. Also includes a description of
Cocteau's World: An Anthology of major Writings by Jean Cocteau translated by Margaret Crosland.Includes book jacket
4 items
Removed to Box 31
Removed to Box 31
Removed to Box 31
Removed to Box 31
Includes photocopied Peter Cotes entry from
Who's Who 1973Includes index typescript and sequence of prelims instructions
Signed correspondence from Felicity Mason (Anne Cumming). Includes original drawing, "Full Frontal Frontispiece."
Bound in paper
Bound in paper
Bound in paper
Correspondence from Sharon Bangert
Includes additional correspondence related to Endo's works.
Translated by Van C. Gessel
Includes only pages with corrections.
Translated by Van C. Gessel
Translated by Mark Williams
Translated by Hal Sutcliffe and Torbjørn Støverud
Includes fax of additional revised pages.
Translated by Joan Tate
Corrected and uncorrected pages are separated.
Translated by Joan Tate
Includes style sheet
Includes additional photocopied pages with a handwritten note to Farr
Corrected and uncorrected pages are separated.
Translated by Inge Goodwin in collaboration with the author
Some items refer to previous title,
Furnished Rooms.Includes galley and book proofs.
Physical LocationRemoved to SPEC MSS oversize galleys
Includes photocopy of newspaper article about George
Includes unmarked set
Removed to Box 34
Corrected and uncorrected pages are separated.
Begins with page 20
Removed to SPEC MSS oversize galleys
Includes autograph and signed letters with some editorial material
Includes multiple typescripts of portions of the book as well as copies of some correspondence
No preliminary pages or display text; Shelved in ??
Physical LocationRemoved to SPEC MSS oversize galleys
5 copies.
Physical LocationRemoved to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Includes pictures
Removed to Box 34
Includes one signed letter from Hargreaves and a style sheet
Includes copies of handwriting samples to be used as illustrations of the text.
Removed to Box 31
Typescript marked "Top copy of [manuscript] and original [artwork]"
Includes design markings but no visuals.
Removed to Box 31
Includes title page overlay
Includes style sheet
Corrected and uncorrected pages are separated.
Includes unidentified handwritten document(s)
Removed to Box 31
Corrected and uncorrected pages are separated.
Includes two agreements signed by Hesse for
Unterm Radd (The Prodigy) and Demian.Includes correspondence from Leila Vennewitz and Helene Ritzerfeld of Suhrkamp Verlag. Also includes agreement betweent Suhrkamp Verlag and Peter Owen Ltd.
Corrected and uncorrected pages are separated.
Includes fax of agreement
Includes typescript of front matter
Includes correspondence from both Yūsuf and Wassef
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Translated by Roger K. Thomas
Corrected and uncorrected pages are separated.
Translated by Jean Oda Moy
Corrected and uncorrected pages are separated.
Reader report is written and signed by Jeremy Reed.
Spelled "Haitov" in Peter Owen materials
Primarily contains correspondence with Holman
Translated by Joan Tate
Translated by Joan Tate
Removed to Box 32
Removed to Box 32
Removed to Box 32
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Corrected and uncorrected pages are separated.
Correspondence is from Shaughnessy
Corrected by Shaughnessy
Corrected by Crowder
Correspondence with Ilona Duczynska (Polanyi)
Translated by Ilona Duczynska
Translated by Anna Novotny
Includes correspondence with Polanyi
Translated by Ilona Duczynska
Includes original correspondence by Liddell, correspondence related to Liddell written after his death in July 1992, and materials related to Liddell's obituary written by Peter Owen; also includes correspondence from Francis King and Hillary Spaulding.
Guido Granai
Includes correspondence from both authors as well as handwritten notes reguarding editing of manuscript.
Translated by Dick Kitto and Elspeth Spottiswood
Published by Pierre Belfond; includes illustrations by the author
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Translated by Margaret Clegg
Removed to Box 30
Removed to Box 30
Removed to Box 30
Translated by Jeannette Kalker Ringold
Removed to Box 30
Removed to Box 30
Removed to Box 30
Translated by Ruth Levitt
Proofs were bound in paper wrapper marked "prelims --> Unesco."
Corrected and uncorrected pages are separated.
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Includes several drafts of Glass's introduction
Includes "Author's Questionnaire"
Translated by Joan Tate
Translated by Joan Tate
Includes graphic for title page and chapter headings
Includes style sheet
Includes correspondence with and about Hugo Williams
Includes one postcard
Corrected and uncorrected pages are separated.
Removed to Box 32
Removed to Box 32
Includes signed agreement for
Pleasure ChateauWith drawings by Jean Cocteau
Corrected and uncorrected pages are separated.
Corrected and uncorrected pages are separated.
Includes style sheet
Includes style sheet
Includes paste-ups for artwork
Includes list of sequence of prelims
Collated proofs are incomplete
Corrected and uncorrected pages are separated.
Contains two letters from Levy
Corrected and uncorrected pages are separated.
Translated by David Le Vay, in collaboration with Beatrice Musgrave
Translated by David Le Vay
Translated by David Le Vay
Includes pencil drawing by Louis Mackay
Includes unidentified page of typescript
Corrected and uncorrected pages are separated.
Translated by R. B. Powell
Translated by David Smith
Translated by David Smith
Letters from Margaret Crosland relating to both collections of Sade's works
Selected and translated by Margaret Crosland
Includes style sheet
Includes correspondence regarding poor quality of proofs
Translated by W.J. Strachan; edited and with a new introduction by Margaret Crosland
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Includes photographs and galley pages
Removed to Box 32
Removed to Box 32
Removed to Box 32
Removed to Box 32
Removed to Box 32
Removed to Box 30
These and following proofs are all page proofs
Labled "Odds and ends"
`
Removed to Box 33
Includes one letter from Bose
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Corrected and uncorrected pages are separated.
Removed to SPEC MSS oversize galleys
Removed to Box 30
Corrected and uncorrected pages are separated.
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Correspondence with Haakon Thallaug; includes one letter from Halldis Moren Vessas dated 1992
Translated by Torbjørn Støverud and Michael Barnes
Translated by Elizabeth Rokkan
Translated by Elizabeth Rokkan
Translated by Elizabeth Rokkan
Includes translator's notes and accompanying correspondence
Corrected and uncorrected pages are separated.
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to SPEC MSS oversize galleys
Removed to Box 33
Removed to Box 33
Removed to Box 33
Removed to Box 33
Removed to Box 33
Includes illustrations
Includes photocopies of autograph Jacqueline Onassis letters dated 1977
Includes rejected material
Corrected and uncorrected pages are separated.
Includes correspondence from both Zinoviev and Janson; also includes style sheet
Corrected and uncorrected pages are separated.
The second series contains materials related to works that ultimately were not published by Peter Owen. Some works are represented by sample chapters or complete typescripts that Peter Owen and his editorial staff decided not to publish. In other cases, Peter Owen was prevented from publishing a work by external circumstances. These works are represented by correspondence files related to legal and other issues. Some works in this series were published by other firms; others were not. Projects are alphabetized by author or prospective author.
Published by Holt, Rinehart and Winston in 1984
Primarily correspondence with Suhrkamp Verlag
Stories translated by Paul Bowles
Includes corrected page proofs and photocopied pages of Black Sparrow edition sent by Bowles; relevant correspondence is in I.F22
Many of the letters are from lawyer John D. Diamond; includes relevant clippings
Peter Owen was not just the owner of the press but also a writer and editor. This series contains materials more personally related to him. It includes production materials for some of the anthologies Peter Owen has compiled and published related to the history of his press and of publishing in general. It also includes promotional materials for the press; smaller pieces written by Owen such as articles, essays, and obituaries; and correspondence related to the thirtieth and fortieth anniversary celebrations.
Edited by Peter Owen
Includes Peter Owen 1987 catalogue, Introduction to Book Publishing (Book House Training Centre, 1984), and Postwar Scholarly Publishing: A Perspective by Robin Denniston (Oxford Polytechnic Press, 1987)
By Peter Owen
Corrected and uncorrected pages are separated.
Edited by Peter Owen
Correspondence with contributors regarding the acceptance of their work for the anthology
From Salvador Dali Museum (Cleveland, Ohio)
Story was filed with "Going East"
Printed in Sunday Times
The fourth series contains Peter Owen’s correspondence files from 1951 to 1974 documenting the business of running a press. Much of the correspondence regards the rights to works and other legal or financial issues. The presses, literary agents, and other businesses are arranged in alphabetical order.
Mostly between Owen and Milton Rosenthal
Mostly between Owen and Milton Rosenthal
The final series contains all correspondence and other items not directly related to any of the above material. Much of the correspondence in this series is from authors who are either not published by Peter Owen or whose production materials are not included in this collection. Additional correspondence is with translators, literary organizations, periodicals, lawyers, agents, and other individuals. Some correspondence in this series is of a personal nature, including Christmas cards and postcards. Overall, Peter Owen corresponded not only with authors but with artists, musicians, and other notable figures. Items in this series are alphabetized by correspondent.
Also includes correspondence with agents etc.
Agreement only
Agreement only
Includes booklet with photographs, timeline, and bibliography of Cartland
Photocopies only
Includes some editorial items
Includes some editorial items
In French
Photocopies of letters to Jeremy Reed
Agreement only
Includes correspondence with agent Wendy Hanson
Regarding
Oz magazine obscenity trialAgreement only
Includes agreement signed by Ezra Pound and correspondence with Dorothy
Agreement only
Agreement only
Includes audiocassete "Looking for Anais Nin"
Agreement only
Originally filed with Graham Watson
Augtograph signed letter
Only correspondence from Owen to Wright
Agreement only