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Thornton and Amy Oakley collection
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Held at: University of Delaware Library Special Collections [Contact Us]181 South College Avenue, Newark, DE 19717-5267
This is a finding aid. It is a description of archival material held at the University of Delaware Library Special Collections. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
The illustrator Thornton Oakley (1881-1953) was a student of Howard Pyle, founder of the Brandywine School. Oakley illustrated numerous books and magazines, including
Harper's , Century Magazine , Collier's Weekly , and Everybody's Magazine during the 20th century. Known for his paintings of industrial America, his work is found in the collections of numerous institutions, including the Philadelphia Museum of Art, Pennsylvania Academy of Fine Arts, Historical Society of Pennsylvania, National Gallery of Art, Library of Congress, Boston Public Library, New York Public Library, and the British Museum.Born in Pittsburgh, Pennsylvania, Oakley graduated from the University of Pennsylvania with a degree in architecture. He then studied at Pyle's school in Wilmington, Delaware. During part of his time with Pyle, Oakley was in charge of the school's supply store. He was responsible for sales, inventory, and collecting students' monthly accounts. He married Amy Ewing in 1910, and they had one child. Together they published numerous travel books, which she wrote and he illustrated. In 1914, Oakley was hired to head the Department of Illustration at the Philadelphia Museum's School of Industrial Art, now the Philadelphia College of Art. He taught at the school until 1936. During World War II, the National Geographic Society commissioned 48 paintings of war plants and related topics.
Falk, Peter Hastings, ed.Who Was Who in American Art. Madison, Connecticut: Sound View Press, 1985. Pitz, Henry C.Howard Pyle: Writer, Illustrator, Founder of the Brandywine School. New York: Clarkson N. Potter, Inc., 1975.
The Thornton Oakley and Amy Oakley Collection consists of pen and ink drawings on boards, water colors, manuscripts, a promotional display board, scholarly journals, disbound leaves, printer's proofs, and booklets related to Thornton Oakley. The collection spans the dates 1927-1947, and provides a glimpse not only of Thornton Oakley's artistic work and Amy Oakley's literary achievement, but also of Thornton Oakley's involvement in the scholarly and artistic community of the Delaware valley.
Series I. and II. contain manuscripts, pen and ink drawings on boards and disbound leaves from
The Cloud-Lands of France (Century Co., 1927) and Enchanted Brittany (Century Co., 1930). The disbound leaves of both works include only those pages with illustrations, the dust jackets from the first printings, and two brown envelopes signed by Thornton Oakley. Some of the pen and ink drawings from Series I. and II. include display notices for Philadelphia art and local events. In addition, the folders housing the pen and ink drawings for Enchanted Brittany also include six drawings that did not appear in the published version of the book. Series I. and II. were purchased in 1986.Series III. contains pen and ink drawings on boards and a promotional display board for
The Heart of Provence (D. Appleton-Century, 1936). Series IV. contains five water colors and Series V. contains two articles written by Thornton Oakley published in scholarly journals as well as three items that show his involvement in the Philadelphia area art and educational community. Series III. — V. of the collection were acquired as a gift from Roger Garland in 1984.- Boxes 1-3: Shelved in SPEC MSS manuscript boxes
- Boxes 4-6: Shelved in SPEC MSS oversize boxes (20 inches)
Gift of Roger Garland, 1984; and purchases, 1986.
Processed by Karalee Kopreski, October 2005. Encoded by Natalie Baur, September 2009.
People
Subject
- Illustrators--United States--History--20th century
- Illustration of books--United States--History--20th century
- Magazine illustration--20th century
- Artists--United States--20th century
- Authors, American--20th century
- Travel writing--History--20th century
- Travel writers--20th century
- Pen drawing, American--20th century
- Watercolor painting, American--20th century
- Watercolor painting, American--Exhibitions--20th century
- Art--Societies, etc--Pennsylvania--Philadelphia
Place
Occupation
- Publisher
- University of Delaware Library Special Collections
- Finding Aid Author
- University of Delaware Library, Special Collections
- Finding Aid Date
- 2009 September 15
- Access Restrictions
-
The collection is open for research.
- Use Restrictions
-
Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. Please contact Special Collections Department, University of Delaware Library, https://library.udel.edu/static/purl.php?askspec
Collection Inventory
22 pen and ink drawings illustrating
Cloud-Lands of France , published in 1927. All drawings are signed on the back by Thornton Oakley. The drawing titled "Au Mont-Blanc," the headpiece for Chapter XV, has a display ticket affixed on back from the twenty-fifth annual Philadelphia Water Color exhibition sponsored by the Pennsylvania Academy of the Fine Arts and the Philadelphia Water Color Club in 1927. The title of the piece and Oakley's address are written in his hand on the ticket. In addition, the drawing titled "Geneva Quai Du Seujet" from Chapter XIX has a display ticket affixed on back from the Woodmere Art Gallery, the Art center of Germantown and Chestnut Hill in Chestnut Hill, PA.Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Holograph manuscript of
Cloud-Lands of France by Amy Oakley, with handwritten corrections and alterations.Disbound pages of
Cloud-Lands of France including only those pages with illustrations. Also includes dust-jacket and envelope labeled as "Leaves from 'Cloud Lands of France'" written in Thornton Oakley's hand.44 pen and ink drawings illustrating
Enchanted Brittany , published in 1930. Most drawings are signed on the back by Thornton Oakley. The drawings titled "Bride and Bridegroom of Pont-l'Abbe" and "The regal velvets of Carhaix" have display notices affixed on back. Both have a notice that reads, "Shown in The Exhibition Hall of the Wm. Penn Charter School." "Bride and Bridegroom" has a second notice of display at the 1936 exhibition for the Fellowship of the Pennsylvania Academy of the Fine Arts. "The regal velvets of Carhaix" has no second notice, but a piece of tape where a notice once was. Also includes six pen and ink drawings that do not appear in published version of Enchanted Brittany . The print titled "Annecy" has a display notice on the back from the twenty-fifth annual Philadelphia Water Color exhibition sponsored by the Pennsylvania Academy of the Fine Arts and the Philadelphia Water Color Club in 1927.Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Removed to: SPEC MSS oversize boxes (20 inches)
Holograph manuscript of
Enchanted Brittany with three pages of handwritten corrections and a letter, August 12, 1930, from Helen Woodrow Bones from the Book Editorial Department of The Century Company to Amy Oakley regarding corrections and questions about the manuscript. Housed in four folders.Disbound pages of
Enchanted Brittany including only those pages with illustrations. Also includes dust-jacket and envelope labeled as "Leaves from Enchanted Brittany" written in Thornton Oakley's hand.Includes a letter from Bernard Miller of The Century Company dated July 23, 1930, which states that two sets of the proofs of the illustrations for
Enchanted Brittany have been enclosed for Thornton Oakley's perusal. Only one set of the proofs is present, along with a square of blue ribbon on which is printed "Enchanted Brittany" in gilt. Enclosed in a folder with "Enchanted Brittany" written on the front cover in Thornton Oakley's hand. Physical LocationRemoved to: SPEC MSS oversize boxes (20 inches)
58 pen and ink drawings illustrating
The Heart of Provence , published in 1936. Most drawings are signed on the back by Thornton Oakley. Physical LocationRemoved to: SPEC MSS oversize boxes (20 inches)
A promotional display board for
The Heart of Provence written by Amy Oakley and "profusely illustrated" by Thornton Oakley. Includes an excerpt from the text and two illustrations. Physical LocationRemoved to: SPEC MSS oversize boxes (20 inches)
Three 8" x 10" beach scenes with initials "T.O." in bottom right corner. Two smaller watercolors, one of a mountain which is initialed on back, and one of a river, which is unsigned.
The Summer 1949 edition of
The General Magazine and Historical Chronicle , produced by the alumni society of the University of Pennsylvania contains an article by Thornton Oakley entitled "Again the Question: 'What is Art?'" Also includes the September - December 1948 issue of the Western Pennsylvania Historical Magazine containing the article "From Pittsburgh Toward the Unknown" by Thornton Oakley. Loosely laid-in photocopy of a short biography of Thornton Oakley from the National Cyclopeadia . Both journals are signed on the covers by Oakley.Contains an historical booklet on Germantown Academy with cover drawing by Thornton Oakley; the fifty-first annual report (1927) from The Pennsylvania Museum and School of Industrial Art in which Oakley is listed as an illustration instructor in the art department; and the 1947 Catalogue of the Forty-Fifth Annual Water Color and Print Exhibition and the Forty-Sixth Annual Exhibition of Miniatures sponsored by the Pennsylvania Academy of the Fine Arts in which Thornton Oakley is listed as president of the Philadelphia Water Color Club. Catalogue is signed on cover by Oakley.