Call Number:

F0361

Repository:

University of Delaware Library Special Collections

Extent:

1 volume

Language:

English

Preferred Citation:

MSS 0099, F0361 Wieners, John, manuscript poetry notebook, Special Collections, University of Delaware Library, Newark, Delaware.

Date:

1962 and 1972 (inclusive)

Creator:

Wieners, John, 1934-2002

Abstract:

This notebook was kept by twentieth-century American poet and activist John Wieners (1934-2002), who was associated with the Beat movement and the Black Mountain School of poets. Kept primarily between May and June 1962, the volume contains several unpublished poems, prose writings, a clipping, and a collage.

American poet John Wieners (1934-2002) is identified with both the Black Mountain School, which he attended from 1955-1956 and studied with poets Robert Creeley, Robert Duncan, and Charles Olson, as well as the Beats. His poetry contains themes of drug abuse and mental illness, as well as a concern for women's rights, gay rights, and other social issues.

Raymond Foye, "John Wieners," Dictionary of Literary Biography, Volume 16. The Beats: Literary Bohemians in Postwar America. Detroit: Gale Research Company, 1983. p. 572-583. "John Wieners." Contemporary Authors Online, Gale, 2007. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2007. http://galenet.galegroup.com (Retrieved 2007 March 4).

This notebook was kept by twentieth-century American poet and activist John Wieners (1934-2002), who was associated with the Beat movement and the Black Mountain School of poets. Kept primarily between May and June 1962, the volume contains several unpublished poems, prose writings, a clipping, and a collage.

Wieners spent time living in both the Boston area and New York City in the early 1960s. He shared an apartment with Beat writer Herbert Huncke (1915-1996) for about one year (1962-1963). During this time in 1962 when this notebook was kept, Wieners may have been living in the Boston area and working as the editor of

The notebook contains nineteen titled poems: "Model"; "Television"; "Stove"; "In The Seventh Circle"; "The Legend of the Loathely Maiden"; "Danse Russe"; "Benumbed By Greatness"; "1930 Jazz"; "LifeBoat"; "An avalanche of honeysuckle"; "The New Day"; "Blue Back"; "The Green Candle"; "Reflections"; "Contradicting Picasso"; "Burning Myself Out"; "The roses bloom"; "At Bedtime In The Darkness"; and "Blue Haze." The notebook also contains many untitled poems and verses.

The notebook also contains a few journal-like entries and several quotes from authors, poets, and figures whom Wieners admired, such as Emily Dickinson, William Carlos Williams, Robert Creeley, John Steinbeck, Mae West, and D.H. Lawrence. The notebook also includes a piece of advice from Wieners’s mentor and teacher at the Black Mountain School, Charles Olson: “I urge you towards construction.”

Included in the notebook is one newspaper (circa 1972) clipping reporting on the deaths of actress Margaret Rutherford and poet Cecil Day-Lewis; a small collage from friend and fellow poet Jim Dunn; and a short list of publications, perhaps a reading list.

All of Wieners’s writings bear extensive editing and revision, as well as some marginalia.