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Sol Worth Papers

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Held at: University of Pennsylvania: University Archives and Records Center [Contact Us]3401 Market Street, Suite 210, Philadelphia, Pennsylvania 19104

This is a finding aid. It is a description of archival material held at the University of Pennsylvania: University Archives and Records Center. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

Sol Worth was born Sol Wishnepolsky on September 19, 1922 in New York City. The son of a dressmaker by the name of Jack Wishnepolsky, very little is know of his life before he began formal education.

He attended the High School of Music and Art in New York City from 1936 until 1940. Upon graduation from high school with a major concentration in art, he went to the University of Iowa. At Iowa, he majored in painting and sculpture and graduated with a Bachelor of Fine Arts in 1943.

After leaving the University of Iowa, he served in the United States Navy from 1943 until 1945. While in the Navy, he was assigned to Military Intelligence at the Joint Intelligence Center in the Pacific Ocean area aboard the U.S.S. Missouri.

In 1945, he married the former Tobia Lessler and together they had a daughter who is now known as Debora Worth Hymes. He returned to New York and began work for the Goold Studios in still photography and motion pictures. Working in the same firm for over seventeen years, he eventually became Vice-president and Creative Director of the studios. While at Goold, he entered the New School for Social Research where he took various courses in film production, film animation and film editing from 1948 until 1950.

His scholarly abilities were well recognized during this period as he was granted a Fullbright Lectureship as a Visiting Professor of Documentary Film and Photography during the 1956-1957 year at the University of Helsinki in Helsinki, Finland. Here he produced a documentary film entitled "Teatteri," which was chosen for the permanent collection of Documentary Film at the Museum of Modern Art in New York City.

This film prompted Gilbert Seldes, the founder of the Annenberg School of Communications, to invite Worth to become a Visiting Lecturer at the University of Pennsylvania's Annenberg School. After serving as a consultant for several years while working at Goold, Worth decided to accept a part-time position in 1960. While working at both Penn and Goold for these first few years, Worth was named the Director of the Documentary Film Laboratory and supervisor of Media Laboratories at Annenberg.

In 1964, Worth decided to devote himself full-time to his teaching and research in visual communication and moved to Philadelphia to take a position as Assistant Professor of Communications. For Worth, this began a rapid ascent through the Annenberg School. In 1966, he was promoted to Associate Professor and Director of the Media Laboratories and in 1973, he was named a full Professor of Communication. During this period, he was awarded an M.A. Honoris Causa from the University in 1971, to go along with his Fine Arts degree that he had received from the University of Iowa. He was also a Visiting Research Professor at the Mount Sinai School of Medicine, City University of New York from 1968 until 1972.

In 1976, after having been promoted to a full Professorship in Communications only three years earlier, Worth began a new project in his scholarly career as he was appointed the first Chair of the newly begun Undergraduate major in Communications. To a large degree, this major was created because of Worth's perseverance and interest in the project.

Worth's promotions were, in part, a recognition of some of the outstanding research and scholarly studies that he had undertaken while at Penn. In 1966 he received a National Science Foundation grant that enabled him to instruct the Navajo Indians in the art of filmmaking as part of a study of cross-cultural communication. This research, which was probably his most famous, eventually led to the publication of a book in 1972, which was co-authored with anthropologist John Adair, entitled, Through Navajo Eyes: An Exploration in Film Communication and Anthropology. Additionally, in 1967, Worth received the Wenner-Gren Foundation award for outstanding research in communication and anthropology. As the author of over two dozen scholarly papers, he was well recognized in the fields of anthropology and communications, as well in the field of visual communication.

His participation and leadership in a variety of scholarly organizations and publications was a mark of this respect. In 1970, he founded, along with the anthropologist Margaret Mead and others, the Anthropological Film Research Institute, and from 1972 through 1974, he served as founding President of the Society for the Anthropology of Visual Communication. He was also Chair of the Research Division of the University Film Association and served as the Senior Member of the Board of Directors for the Society for Cinematologists from 1967 through 1970. Finally, he served as editor of the journal, Studies in the Anthropology of Visual Communication from its inception in 1973 until his death.

Sol Worth was also involved with a wide range of more broadly based organizations throughout his career, such as: the American Anthropological Association, the American Film Institute, and the International Film Seminars, as well as the National Endowment for the Humanities, the National Science Foundation, and the Smithsonian Institute. These positions were all in addition to the many committees and posts, including sitting on the University Council, which he served on within the University of Pennsylvania system.

Worth was in the midst of submitting a proposal to the Guggenheim Foundation for a large-scale research project in visual communications, when he died on August 29, 1977, of a heart attack at the age of fifty-five. He had been attending a professional conference in Boston when he was stricken.

The Sol Worth Papers, 1926-1977, n.d. consisting mostly of the contents of his Annenberg office at the time of his death, almost exclusively relate to his professional and scholarly pursuits. With only a very few exceptions, the materials in the collection document his activities while at the Annenberg School for Communications at the University of Pennsylvania.

The Biographical Papers run from 1943 until 1977 and consist mainly of his vitaes and clippings surrounding his death as well as his college transcript from the University of Iowa. This series also contains a number of date books covering his time at Annenberg as a lecturer and professor.

The Correspondence files are composed of professional correspondence with students, faculty, and national organizations during Worth's tenure at Annenberg from 1960 until 1977. Correspondence relating to societies and professional organizations that is specifically connected with individuals is filed in this section alphabetically by name rather than in the Professional Activities series. Included in this series is correspondence with Margaret Mead and many other prominent scholars.

The Administrative Papers consist of correspondence, reports, minutes of meetings, memoranda, and statistics regarding the administration of various Worth endeavors from 1963 until 1977. This series can be broken down into sections concerned with the Annenberg School for Communications, the University of Pennsylvania in general, and the Annenberg Center.

The Annenberg School for Communications papers within this series are concerned mainly with general requirements, the development of an undergraduate communications major, faculty tenure review and job inquiries and applications. Worth was actively involved in the Administration of the ASC; this series, therefore, provides a rich source of information on the development of this school almost from its inception. Included are Worth's involvement with faculty meetings from 1964 until 1977, the Committee on Instruction from 1966 until 1976, the Executive Committee of the ASC, as well as the school's Admissions Committee.

The papers within the Administrative series concerning the University as a whole cover a wide range of issues. In addition to his work with the Arts House living learning program, and the minutes from the College of Arts and Sciences Faculty from 1971 through 1974, he served on the University Senate from 1966 until 1972. This section on the Senate includes correspondence and memoranda regarding Worth's participation in a variety of Senate Advisory Committees as well his work on the Committee to replace the Vice-President for University Life during 1973 and 1974. A particularly interesting section is the reports and correspondence from the Committee on Open Expression and Demonstrations during 1967-1968, in which he helped in the formulation of guidelines for open expression.

The papers concerning the Annenberg Center run from 1965 until 1971. They deal with the building of the structure itself, as well as with the hiring and program development that occurred in the years before and after its opening.

The Professional Activities series includes correspondence, records and reports from a variety of the scholarly organizations of which Sol Worth was a member or officer. These include papers from the American Anthropological Association, the American Film Institute and the Society of Cinematologists from 1962 until 1976. Also retained are peer reviews and proposal reviews that Worth participated in for the National Endowment for the Humanities as well as for the National Science Foundation. In addition, there are included a variety of submissions Worth received from 1974 until 1977 for the journal he edited, Studies in the Anthropology of Visual Communication. Finally, there are a few files relating to specific events or programs, such as papers of the Summer Institute on Visual Communication from 1970 until 1972 and of the planning of the Flaherty Film Seminar from 1963 until 1976 under the auspices of the International Film Seminars organization.

The Teaching files are composed of syllabi, reading lists, copies of exams and occasionally, lecture notes from some of the courses, both undergraduate and graduate that Worth taught while at Annenberg from 1960 until 1977. These include files from the Documentary Film Workshop, Fundamentals of Visual Communication, Modes, Media and Codes, as well as the Senior Thesis, General Honors and Proseminar classes of various years. The student files primarily consist of copies of papers and exams that Worth retained for graduate students, as well as for those students he was advising on all levels.

The Research series contains administrative papers, proposals, correspondence, field notes and photographs as well as questionnaires and other research aids and reports regarding Worth's involvement with several projects from 1963 through 1970. The largest concentration of these files is, by far, centered around the Navajo Project that resulted in his major book with John Adair. As this was a collaborative project, there are many files from Adair as well as from graduate assistants from Annenberg and Penn who accompanied Worth on his trip. Several smaller research projects that are in the collection as well, include: the Teacher-Kid Study, the Triangle-Circle Experiment, the Big "M" and Big "T" Study, Experiment "K," as well as a few Bio-documentary projects that Worth and his students conducted.

The Writings file consists mainly of Worth's own works in their drafted as well as published form, from a variety of publication sources. Additionally, there is a section on his writings specifically on the subject of the Navajo Project. Also included in the Writings Series are a number of files containing drafts and final versions of a variety of talks and lectures that Worth conducted, with the date and place indicated where available.

The Reprints and Manuscripts series contains the published and unpublished works of a variety of people other than Worth himself. These cover a wide range of sources from 1956 until 1977. Also included are bibliographies and reference guides as well as film reviews of films and programs for film viewings and plays. Additionally, this series contains some miscellaneous materials such as codes for the film card files, and a clippings file that Worth maintained.

The photo series contains photographs, slides, and contact sheets from both personal and classroom photographs. Additionally, there are several oversized photos and posters that relate mostly to Worth's classroom and lab teaching at Annenberg.

The remainder of the collection is composed of a number of journals Worth collected, as early as 1926, as well as bibliographic card files and other card files that organize people, institutions and films into a quick reference system. The final series consists of legal-sized material of a miscellaneous nature that are stored in their own box for convenience purposes.

The papers of Sol Worth, Professor of Communications at the Annenberg School of Communications from 1960 to 1977, are arranged in eight series. They include: Biographical Papers, Correspondence, Administrative Papers, Professional Activities, Teaching, Research, Writings, and Photographs.

The series are generally arranged either chronologically and/or alphabetically depending on the series or subseries. Please refer to the inventory for further clarification.

These papers were donated to the Annenberg School for Communications by Mrs. Worth and transferred to the University of Pennsylvania Archives and Records Center in January of 1990.

Publisher
University of Pennsylvania: University Archives and Records Center
Finding Aid Author
Steven A. Banks, Thomas G. Potterfield under the direction of Theresa R. Snyder
Finding Aid Date
March 1991
Access Restrictions

Access to collections is granted in accordance with the Protocols for the University Archives and Records Centers. Portions of the collection may be closed.

Collection Inventory

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Vita File, 1943-1972.
Box 1 Folder 1
Vita File, 1973.
Box 1 Folder 2
Notices and Articles about Sol Worth, 1965-1972.
Box 1 Folder 3
Vita File and Obituaries, 1976-1977.
Box 1 Folder 4
1966.
Box 1 Folder 5
1967.
Box 1 Folder 6
1968.
Box 1 Folder 7
1969.
Box 1 Folder 8
1970.
Box 1 Folder 9
1971.
Box 1 Folder 10
1972.
Box 1 Folder 11
1974-1976.
Box 1 Folder 12

A.
Box 2 Folder 2
Ba-Be.
Box 2 Folder 4
Bi-By.
Box 2 Folder 5
C.
Box 2 Folder 7
D.
Box 2 Folder 8
Alice F. Emerson (Dean, University of Pennsylvania), 1969-1976.
Box 2 Folder 9
E.
Box 2 Folder 10
Arden A. Flint Jr. (NIMH), 1964-1966.
Box 2 Folder 12
F.
Box 2 Folder 13
1966-1967.
Box 2 Folder 15
1968-1969.
Box 2 Folder 16
1970-1971.
Box 2 Folder 17
1972-1973.
Box 2 Folder 18
1973-1974.
Box 2 Folder 19
1974-1975.
Box 2 Folder 20
1975-1976.
Box 2 Folder 21
1976-1977.
Box 2 Folder 22
1964-1965.
Box 2 Folder 14
Wells Goodrich (NIMH), 1963-1973.
Box 2 Folder 24
Ga-Go.
Box 2 Folder 27
Go-Gu.
Box 2 Folder 28
Ha-He.
Box 2 Folder 31
Hi-Hu.
Box 2 Folder 32
I-Kl.
Box 2 Folder 34
Kl-Ky.
Box 3 Folder 1
La-Le.
Box 3 Folder 2
Li-Ly.
Box 3 Folder 3
Mc-Ma.
Box 3 Folder 4
Me-Mu.
Box 3 Folder 5
N-O.
Box 3 Folder 6
P.
Box 3 Folder 7
R.
Box 3 Folder 8
Sa-Se.
Box 3 Folder 10
Se-So.
Box 3 Folder 11
Sp-Sz.
Box 3 Folder 12
T-U.
Box 3 Folder 13
Amos Vogel (ASC), 1974-1976.
Box 3 Folder 14
V.
Box 3 Folder 15
Wa-Wi.
Box 3 Folder 16
Wi-Z.
Box 3 Folder 17
First Name Only.
Box 3 Folder 18
Students.
Film Distribution (Teatteri), 1960-1967.
Box 3 Folder 23
Film Distribution (Navajo Project), 1968-1977.
Box 3 Folder 24
Book Publication (Navajo Project), 1970-1972.
Box 4 Folder 1
Book Publication (Navajo Project), 1972-1977.
Box 4 Folder 2
A: Correspondence with Associated Press re "Frontiers of News" -Willard Van Dyke.
Box 4 Folder 2
Mailing Lists and Contact Information, [1963], 1974, n.d.
Box 4 Folder 3
Letters of Appointment, 1965-1977.
Box 4 Folder 4
Invitations to Publish, 1968-1974.
Box 4 Folder 5
Requests for Reprints, 1964-1975.
Box 4 Folder 6
Book and Periodical Orders, 1964-1969.
Box 4 Folder 7

Admissions Committee, 1965-1968.
Box 4 Folder 8
Admissions and Financial Aid Committee, 1971-1976.
Box 4 Folder 9
Bicentennial Convocation and Colloquium, 1976.
Box 4 Folder 10
Bulletin, 1964-1965.
Box 4 Folder 11
Center for Visual Communications, 1977 and n.d.
Box 4 Folder 12
Colloquium, 1974.
Box 4 Folder 13
Communications Newsletter, 1972-1977.
Box 4 Folder 14
(Syllabi), 1964 and n.d.
Box 4 Folder 15
1971-1974.
Box 4 Folder 16
1975-1976.
Box 4 Folder 17
1976-1977.
Box 4 Folder 18
1977-1978.
Box 4 Folder 19
1966-1967.
Box 4 Folder 20
1967-1968.
Box 4 Folder 21
1968-1969.
Box 4 Folder 22
1969-1970.
Box 4 Folder 23
1973-1974.
Box 4 Folder 24
1974-1975.
Box 4 Folder 25
1975.
Box 4 Folder 26
1977.
Box 4 Folder 27
Faculty Minutes and Memoranda, 1964-1970.
Box 4 Folder 28
Faculty Minutes and Memoranda, 1971-1977.
Box 4 Folder 29
Faculty Job Inquiries and Applications.
Financial Memoranda, 1976-1977.
Box 4 Folder 39
Graduate Programs, 1965-1977.
Box 4 Folder 40
Instruction Committee, 1966-1967.
Box 4 Folder 41
Instruction Committee, 1967-1968.
Box 4 Folder 42
Instruction Committee, 1968-1969.
Box 4 Folder 43
Instruction Committee, 1969-1970, 1976.
Box 5 Folder 1
Joint Programs, 1965, 1967, 1977.
Box 5 Folder 2
Library, 1964-1965, 1969.
Box 5 Folder 3
Media Workshops (General), 1964-1977.
Box 5 Folder 4
Media Workshops (Graphics), 1965-1966.
Box 5 Folder 5
Media Workshops (Television), 1967-1968.
Box 5 Folder 6
Media Workshops (Ancillary Programs), 1963-1973.
Box 5 Folder 7
Operating Committee, 1964.
Box 5 Folder 8
Physical Plant and Security, 1974-1977.
Box 5 Folder 9
Research Committee, 1964-1966.
Box 5 Folder 10
Undergraduate Major, 1973-1977.
Box 5 Folder 14
Miscellaneous, 1972-1976.
Box 5 Folder 15
AAUP, 1967.
Box 5 Folder 16
Arts House, 1976.
Box 5 Folder 17
Audio-Visual Center, n.d.
Box 5 Folder 18
CGS Executive Committee, 1972-1973.
Box 5 Folder 19
College Faculty Minutes, 1971-1974.
Box 5 Folder 20
College for Women Matric-In, 1968.
Box 5 Folder 21
Committee on Intellectual Lifestyle (Gelman Committee), 1971.
Box 5 Folder 22
Committee on Open Expression, 1967.
Box 5 Folder 23
Committee on Open Expression, 1968.
Box 5 Folder 24
Committee on Open Expression, 1968.
Box 5 Folder 25
Computing Center, 1964-1967.
Box 5 Folder 26
Faculty of Arts and Sciences, 1973-1976.
Box 5 Folder 27
Faculty Senate, 1972-1973, 1976-1977.
Box 5 Folder 28
Free University, 1966.
Box 5 Folder 29
Graduate School of Education (Visual Media Proposals), 1975-1977.
Box 5 Folder 30
Human Resources Program (Project College-Bound), 1965.
Box 5 Folder 31
Personnel Benefits Committee, 1971-1972.
Box 5 Folder 32
President's Bicentennial Commission, 1972-1973.
Box 5 Folder 33
Trustees' Committee on Administrative Structure, 1977.
Box 5 Folder 34
Trustees' Panel on Community Service, 1969.
Box 5 Folder 35
University Council, 1973-1974, 1977.
Box 5 Folder 36
University Senate, 1966-1969.
Box 5 Folder 37
University Senate, 1970-1972.
Box 5 Folder 38
University Senate Advisory Committee, 1967-1968.
Box 5 Folder 39
University Senate Advisory Committee, 1969.
Box 5 Folder 40
University Senate Advisory Committee, 1969.
Box 5 Folder 41
University Senate Advisory Committee, 1969.
Box 5 Folder 42
University Senate Advisory Committee, 1970.
Box 5 Folder 43
University Press Editorial Committee, 1977.
Box 6 Folder 1
Vice Provost on University Life, 1973-1974.
Box 6 Folder 2
Program and Building Committee, 1965-1968.
Box 6 Folder 3
Performing Arts Search Committee, 1968.
Box 6 Folder 4
Artistic Director Search Committee, 1969.
Box 6 Folder 5
Film Theater, 1969.
Box 6 Folder 7
Directors' Group, 1971.
Box 6 Folder 8
Cinematheque, 1971, 1974, 1976.
Box 6 Folder 9

African Studies Association -- Research Film Committee, 1972.
Box 6 Folder 10
Uses of Film in Teaching Anthropology (meeting), 1965.
Box 6 Folder 11
Annual Meetings, 1967.
Box 6 Folder 12
Annual Meetings, 1968.
Box 6 Folder 13
Annual Meetings, 1970.
Box 6 Folder 14
Visiting Lecturer, University of Bridgeport, 1971.
Box 6 Folder 15
Annual Meetings, 1972.
Box 6 Folder 16
Annual Meetings, 1973.
Box 6 Folder 17
Annual Meetings, 1974.
Box 6 Folder 18
Annual Meetings (travel), 1974.
Box 6 Folder 19
Annual Meetings, 1975.
Box 6 Folder 20
Annual Meetings, 1976.
Box 6 Folder 21
American Association for the Advancement of Science -- Annual Meetings (panel honoring Margaret Mead), 1975.
Box 6 Folder 22
Annual Meetings, 1973.
Box 6 Folder 23
Conference on the Study of Motion Pictures, 1964.
Box 6 Folder 24
Conference on Mass Media in a Liberal Education, 1965.
Box 6 Folder 25
Student Film Screenings, 1965.
Box 6 Folder 26
Correspondence and Memoranda, 1966-1976.
Box 6 Folder 27
Congressional Hearings, 1974.
Box 6 Folder 28
Sol Worth Congressional Testimony, 1977.
Box 6 Folder 29
Sourcebooks for Congressional Testimony, 1977.
Box 6 Folder 30
Background Material and Ms. Notes for Testimony, 1977.
Box 6 Folder 31
George Stevens Congressional Testimony, 1977.
Box 6 Folder 32
Correspondence and Memoranda, 1977.
Box 6 Folder 33
Anthropological Film Research Institute -- Annual Meetings, 1974.
Box 6 Folder 34
Bio-Documentary Film Series -- Proposal for CBS and WHYY TV, n.d.
Box 6 Folder 35
Brown University -- Seminar on Communications, 1976.
Box 6 Folder 36
Center for Research on Acts of Man -- Brochure, n.d.
Box 6 Folder 37
Christian Faith in Higher Education Institute -- Meeting on Art in Higher Education, 1965.
Box 6 Folder 38
Council on International Communications -- Correspondence and Memoranda, 1970, 1976.
Box 6 Folder 39
Inter-University Center for Film Studies in Paris, 1976-1977.
Box 6 Folder 40
Paris trip (notes, contacts, vitae), 1977.
Box 6 Folder 41
Danforth Foundation -- Eastern Regional Conference, 1973.
Box 6 Folder 42
Festival Dei Popoli, 1966-1967.
Box 6 Folder 43
Fulbright Foundation -- United States Educational Foundation in Finland, 1963.
Box 6 Folder 44
Harvard University Carpenter Center -- American Seminar in Film (on Makaveiev), 1975.
Box 6 Folder 45
Howard University -- School of Communications (proposal), 1970.
Box 6 Folder 46
International Association of Semiotic Studies -- First Congress, 1974.
Box 6 Folder 47
International Communication Association -- Directory, 1975.
Box 6 Folder 48
Flaherty Film Seminar, 1963.
Box 6 Folder 49
Flaherty Film Seminar, 1965.
Box 6 Folder 50
Flaherty Film Seminar, 1966.
Box 6 Folder 51
Flaherty Film Seminar and Board Business, 1967.
Box 6 Folder 52
Flaherty Film Seminar, 1968.
Box 7 Folder 1
Flaherty Film Seminar and Board Business, 1969.
Box 7 Folder 2
Flaherty Film Seminar and Board Business, 1970.
Box 7 Folder 3
Flaherty and Public TV Seminars and Board Business, 1971.
Box 7 Folder 4
Flaherty Film Seminar and Board Business, 1972.
Box 7 Folder 5
Flaherty and Public TV Seminars and Board Business, 1973.
Box 7 Folder 6
Flaherty Film Seminar and Board Business, 1974.
Box 7 Folder 7
Flaherty and Public TV Seminars and Board Business, 1975.
Box 7 Folder 8
Flaherty and Public TV Seminars and Board Business, 1976.
Box 7 Folder 9
Flaherty and Public TV Seminars and Board Business, 1977.
Box 7 Folder 10
Margaret Mead Film Festival, 1977.
Box 7 Folder 11
Michigan State Dept. of Sociology -- Seminar on Visual Documentation, 1973.
Box 7 Folder 12
Mouton Publishers -- Editorial Board, 1974.
Box 7 Folder 13
Museum of Modern Art -- Department of Film (programs), 1960-1968.
Box 7 Folder 14
American Film Institute Feature Film Catalogue (review), 1977.
Box 7 Folder 15
Brown University Semiotics Program (grant review), 1975.
Box 7 Folder 16
Catalogue of Motion Picture and TV Manuscripts (review), 1975.
Box 7 Folder 17
Sorenson/Smithsonian proposal (review), 1976.
Box 7 Folder 20
Summer Seminars for Teachers, 1977.
Box 7 Folder 21
National Film Board of Canada -- Conference, 1969.
Box 7 Folder 23
National Program for Public Education on Periodontal Disease, 1971.
Box 7 Folder 24
Erickson, Frederick, proposal (review), 1973.
Box 7 Folder 25
American Universities Field Staff Documentary Film Project, 1969.
Box 7 Folder 26
New York Film Council -- Luncheon Meetings, 1964.
Box 7 Folder 32
New York Film Festival -- 1964, 1968.
Box 7 Folder 33
North American Semiotics Colloquium, 1975.
Box 7 Folder 34
L'Office Creation de la Cinematographique -- Conference on Film Theory and Research, 1976.
Box 7 Folder 35
Ontario Institute for Studies in Education -- International Symposium on Communication, Media, and Education, 1972.
Box 7 Folder 36
Postgraduate Center Psychotherapy, 1961-1962.
Box 7 Folder 37
Semiotics Society of America, 1976.
Box 7 Folder 38
Conference on Anthropological Film Archives, 1970.
Box 7 Folder 39
Conference on Visual Anthropology, 1973.
Box 7 Folder 40
Science Information Exchange, 1967.
Box 7 Folder 41
Social Science Research Council -- Art and Social Science Working Group, 1970-1974.
Box 7 Folder 42
Administrative Papers, 1972-1975.
Box 7 Folder 43
Editorial Papers, 1974-1977.
Box 7 Folder 44
Society for Applied Anthropology -- Annual Meetings, 1964.
Box 7 Folder 45
Society of Cinematologists, 1962-1969.
Box 7 Folder 46
Society for Cinema Studies, 1969-1976.
Box 7 Folder 47
Society of Education in Film and Television, US, 1964-1965.
Box 8 Folder 1
South Beach Psychology Center, 1973.
Box 8 Folder 2
Student Conference on Film Study, 1973.
Box 8 Folder 3
NSF Project Proposal, 1970.
Box 8 Folder 4
Correspondence, 1970-1973.
Box 8 Folder 5
Lectures, 1972.
Box 8 Folder 6
Schedule for Teaching, n.d.
Box 8 Folder 7
Participant Evaluations, 1972.
Box 8 Folder 8
Anthropological Film Festival, 1968.
Box 8 Folder 9
British Film Seminar, 1971.
Box 8 Folder 10
Conference on Visual Anthropology, 1973, 1975, 1976.
Box 8 Folder 11
Conference on Visual Anthropology, 1975.
Box 8 Folder 12
Conference in Israel, 1972.
Box 8 Folder 13
Lecture Tour of Japan, 1977.
Box 8 Folder 14
Annual Meetings, 1961, 1963.
Box 8 Folder 15
Membership Directories, 1964-1977.
Box 8 Folder 16
Correspondence, 1969-1973.
Box 8 Folder 17
University of Iowa -- Visual Scholars Program, 1976.
Box 8 Folder 18
University of Pennsylvania -- Codes in Context Meeting, 1967.
Box 8 Folder 19
USC Center for the Humanities -- Conference on the Future of Television, [1977].
Box 8 Folder 20
Wenner-Gren Foundation -- Correspondence, 1966-1970.
Box 8 Folder 21
Yale Anthropology Department -- Workshop on Filming in Anthropology, 1967.
Box 8 Folder 22
Miscellaneous, S-Z, 1971-1976.
Box 8 Folder 23

Com. 160: Modes, Media, and Codes (Administration), 1976.
Box 8 Folder 24
Com. 160: Modes, Media, and Codes (Lecture Notes), 1976.
Box 8 Folder 25
Com. 160: Modes, Media, and Codes (Student Papers), 1976.
Box 8 Folder 26
Com. 160: Fundamentals of Visual Communication, 1976.
Box 8 Folder 27
Com. 199: Senior Thesis (Student Papers), 1977.
Box 8 Folder 28
Com. 240: General Honors Seminar (Student Papers), 1974.
Box 8 Folder 29
Com. 240: General Honors Seminar (Student Papers), 1974.
Box 8 Folder 30
Com. 240: General Honors Seminar (Student Papers), 1974.
Box 8 Folder 31
Com. 240: General Honors Seminar (Student Papers), 1975.
Box 8 Folder 32
Com. 262: General Honors Seminar (Student Papers), 1974.
Box 8 Folder 33
Com. 600: Proseminar, 1965, 1967, 1968.
Box 8 Folder 34
Com. 600: Proseminar (Administration), 1970.
Box 8 Folder 35
Com. 600: Proseminar (Student Papers), 1970.
Box 8 Folder 36
Com. 500: Proseminar, 1971, 1972.
Box 8 Folder 37
Com. 500: Proseminar (Administration and Lectures), 1973.
Box 8 Folder 38
Com. 500: Proseminar (Student Papers), 1973.
Box 8 Folder 39
Com. 500: Proseminar, 1975-1977.
Box 9 Folder 1
Lecture Notes, 1960.
Box 9 Folder 2
Film Screenings, 1960-1965.
Box 9 Folder 3
Treatments, 1961-1962.
Box 9 Folder 4
Treatments, 1962-1963.
Box 9 Folder 5
Treatments, 1963-1964.
Box 9 Folder 6
Treatments, 1963-1964.
Box 9 Folder 7
Papers and Exams, 1963-1964.
Box 9 Folder 8
Lab Expenses, 1963-1965.
Box 9 Folder 9
Treatments, 1964-1965.
Box 9 Folder 10
Papers and Exams, 1964-1965.
Box 9 Folder 11
Treatments, 1965-1967.
Box 9 Folder 12
Film Screenings.
Box 9 Folder 13
Asst Memos and Notes, 1966.
Box 9 Folder 14
Film Critiques, Spring 1967.
Box 9 Folder 15
Film Critiques, Spring 1967.
Box 9 Folder 16
Papers, Spring 1967.
Box 9 Folder 17
Exams, 1966-1967.
Box 9 Folder 18
Catalogue of Student Films, 1967.
Box 9 Folder 19
Equipment Operating Instructions - "for myself", 1967.
Box 9 Folder 20
First Student Ideas, Fall 1967.
Box 9 Folder 21
Blue Book Exams, Fall 1967.
Box 9 Folder 22
Mid-Term Take Home, Fall 1967.
Box 9 Folder 23
Fall 1967.
Box 9 Folder 24
Student Screening Comments, Fall 1967.
Box 9 Folder 25
Screenings, 1967-1968.
Box 9 Folder 26
Documentary Film Series, Spring 1968.
Box 9 Folder 27
Film Essays, Spring 1968.
Box 9 Folder 28
Grade Record, 1967-1968.
Box 9 Folder 29
Treatments, Fall 1968.
Box 9 Folder 30
Screening Notes, 1968-1969.
Box 9 Folder 31
Exams, 1968-1969.
Box 9 Folder 32
Kin-O-Lux, 1968-1969.
Box 9 Folder 33
Screening Notes, 1969-1970.
Box 9 Folder 34
Exams and Student Evaluations, 1969-1970.
Box 9 Folder 35
Film Paper, Spring 1970.
Box 9 Folder 36
Film Lab Class Notes, 1970.
Box 43 Folder 1
Screenings - Workfile: Ideas for Screening, 1970.
Box 9 Folder 37
Screening Notes, 1970-1971.
Box 9 Folder 38
Student Protest, 1971.
Box 9 Folder 39
Students' First Ideas/Treatments, 1971-1972.
Box 9 Folder 40
Screening Notes, 1971-1972.
Box 9 Folder 41
Com. 515: Documentary Film Lab (Exams), 1971, 1973.
Box 9 Folder 42
Com. 515: Documentary Film Lab, Spring 1973.
Box 9 Folder 43
Com. 515: Documentary Film Lab (Screening Notes), 1972-1973.
Box 9 Folder 44
Documentary Film Lab (Course Outline and Notes), 1972-1973 (1).
Box 43 Folder 2
Documentary Film Lab (Course Outline and Notes), 1972-1973 (2).
Box 43 Folder 3
Com. 515: Documentary Film Lab (Ombudsman), 1973.
Box 9 Folder 45
Com. 515: Documentary Film Lab (Screening Notes), 1973-1974.
Box 9 Folder 46
Com. 514: Documentary Film Lab (Exams), Fall 1973.
Box 9 Folder 47
Com. 514: Documentary Film Lab (Exams), 1973-1974.
Box 9 Folder 48
Com. 514: Documentary Film Lab (Screenings), 1974-1975.
Box 9 Folder 49
Com. 514: Documentary Film Lab (Exams), 1974-1975.
Box 9 Folder 50
Com. 514: Documentary Film Lab (Screenings), 1975-1976.
Box 9 Folder 51
Com. 514: Documentary Film Lab (Screening Notes), 1976-1977.
Box 10 Folder 1
Com. 514: Documentary Film Lab (Screenings), 1976-1977.
Box 10 Folder 2
Com. 514: Documentary Film Lab (Aibel, Bob - lecturer), 1977.
Box 10 Folder 3
Com. 514: Documentary Film Lab (Screenings), Fall 1977.
Box 10 Folder 4
Com. 514: Documentary Film Lab (Coq au Vin).
Box 10 Folder 5
Com. 514: Documentary Film Lab (Program Proposal, Equipment Forms).
Box 10 Folder 6
Com. 514: Documentary Film Lab (Ross-Gaffrey - Lab Services), n.d.
Box 10 Folder 7
Com. 638: Fundamentals of Visual Communication, Spring 1966.
Box 10 Folder 8
Com. 638 and 662: Fundamentals of Visual Communication, Spring 1967.
Box 10 Folder 9
Com. 638: Fundamentals of Visual Communication, Spring 1968.
Box 10 Folder 10
Com. 638: Fundamentals of Visual Communication (Old Course Outlines), 1968-1972.
Box 10 Folder 11
Com. 638: Visual Communication (Exams), Spring 1968, 1970, 1971, 1974, 1977.
Box 10 Folder 12
Com. 662: Fundamentals of Visual Communication, Spring 1969.
Box 10 Folder 13
Visual Communication (Comments on Student Papers), 1969.
Box 10 Folder 14
Spring 1970.
Box 10 Folder 15
ca.1970-1971.
Box 10 Folder 16
1970-1973.
Box 10 Folder 17
Spring 1971.
Box 10 Folder 18
Spring 1971.
Box 10 Folder 19
Readings for Kahn Lecture, 1971.
Box 10 Folder 20
Excerpts from Judges and Genesis, 1971.
Box 10 Folder 21
Spring 1973.
Box 10 Folder 22
Spring 1973 (1 of 3).
Box 10 Folder 23
Spring 1973 (2 of 3).
Box 10 Folder 24
Spring 1973 (3 of 3).
Box 10 Folder 25
Student Presentations, 1973.
Box 10 Folder 26
Yair Cohen - Xerox of Good Exam, 1973.
Box 10 Folder 27
Bibliography and Revisions, 1973-1974.
Box 10 Folder 28
Bibliographies and Reading Assignments and Course Outlines, 1974.
Box 10 Folder 29
Seminars, 1974.
Box 10 Folder 30
Undergraduate, Spring 1974.
Box 10 Folder 31
Spring 1974 (1 of 2).
Box 10 Folder 32
Spring 1974 (2 of 2).
Box 10 Folder 33
Cenower, Spring 1975.
Box 10 Folder 34
Summer 1975.
Box 10 Folder 35
Exams, Summer 1975.
Box 10 Folder 36
Summer 1975.
Box 10 Folder 37
1976.
Box 10 Folder 38
Spring 1976.
Box 10 Folder 39
Linda Kelley, Spring 1976.
Box 10 Folder 40
1977 (1 of 2).
Box 10 Folder 41
1977 (2 of 2).
Box 10 Folder 42
1977.
Box 11 Folder 1
Notes, Spring 1977.
Box 11 Folder 2
Spring 1977.
Box 11 Folder 3
Exams, Spring 1977.
Box 11 Folder 4
Visual Communication (Teaching Material, Drawings of Angels).
Box 11 Folder 5
Com. 638 and 662: Visual Communication - Fundamentals and Seminar (Lecture Notes, Clippings), n.d.
Box 11 Folder 6
Com. 560: Modes, Media and Codes, 1976-1977.
Box 11 Folder 7
Abstracts of Masters Theses 1970-1972.
Box 11 Folder 8
Att-Inf Doctor Study: Transcripts 1-20, 1972 (1 of 2).
Box 13 Folder 30
Att-Inf Doctor Study: Transcripts (21-35), 1972 (2 of 2).
Box 13 Folder 31
Students.
Box 14 Folder 26

Vol. 1a: Worth (Field Notes pp.1-112; 3/11-17, 6/1-5), 1966.
Box 14 Folder 27
Vol. 1b: Worth (Field Notes pp.113-196; 6/6-18), 1966.
Box 14 Folder 28
Vol. 1c: Worth (Field Notes pp.197-273; 6/19-7/8), 1966.
Box 14 Folder 29
Vol. 1d: Worth (Field Notes pp.224-337; 7/11-26), 1966.
Box 14 Folder 30
Vol. 2a: Chalfen (Field Notes pp.501-509; 6/1-7), 1966.
Box 14 Folder 31
Vol. 2b: Chalfen (Field Notes pp.570-644; 6/20-7/8), 1966.
Box 14 Folder 32
Vol. 2c: Chalfen (Field Notes pp.645-730; 7/10-8/6), 1966.
Box 14 Folder 33
Vol. 3a: Adair (Life History Interviews pp. 1001-1099), 1966.
Box 15 Folder 1
Vol. 3b: Adair (Life History Interviews pp.1099-1 to 52), 1966.
Box 15 Folder 2
Vol. 4: Worth (Interviews pp.1501-1605; 6/6-9), 1966 (1 of 2).
Box 15 Folder 3
Vol. 4: Worth (Interviews pp.1606-1657 [1658-1712 missing]; 6/10-15), 1966 (2 of 2).
Box 15 Folder 4
Vol. 5: Chalfen (Interviews pp.1712-1-22, 2062-2102-30; 7/21-8/1), 1966 (1 of 2)Box 15.
Box 15 Folder 5
Vol. 4a: Worth (Interviews pp.2001-2013; 1658-1684; 6/15-7/2), 1966 (1 of 2).
Box 15 Folder 6
Vol. 4a: Worth (Interviews pp.2014-2061;1685-1712-23-57; 7/5-7/25), 1966 (2 of 2).
Box 15 Folder 7
Vol. 5: Chalfen (Interviews pp.2103-2183; 8/3-8/6), 1966 (2 of 2).
Box 15 Folder 8
Worth (Field Notes 3/11-7/26), 1966 (1 of 2).
Box 15 Folder 9
Worth (Field Notes 3/11-7/26), 1966 (2 of 2).
Box 15 Folder 10
Vol. 2: Chalfen (Field Notes pp.501-730), 1966.
Box 15 Folder 11
Adair (Life History Notes), 1966.
Box 15 Folder 12
Worth (Interviews), 1966.
Box 15 Folder 13
Chalfen (Interviews), 1966.
Box 15 Folder 14
Worth (Field Notes - original).
Box 15 Folder 15
Worth (Field Notes).
Box 15 Folder 16
Student Writing - Miscellaneous File.
Box 15 Folder 22
Transcripts (Post-Rushes Comments, 6/17), 1966.
Box 15 Folder 25
Worth and All Students (Post-Viewing Comments, 6/22), 1966.
Box 15 Folder 26
Transcript (Interviews of Film Audience at Pine Springs -Worldheimer, 7/25) William Morgan - Translator.
Box 15 Folder 27
Transcripts (Unumbered pages - Post-Viewing Remarks, 8/1), 1966.
Box 15 Folder 28
Transcript (Sol Worth, Susie Bennally teaching Alta Kahn how to make movies), 1966.
Box 15 Folder 29
Transcript (Sol Worth with Susie Bennally teaching her mother how to make movies), 1966.
Box 15 Folder 30
Cademe Shot List for "Antelope Lake", 1966.
Box 15 Folder 31
Cademe Shot List for Al Clah "Intrepid Shadows".
Box 15 Folder 32
Cademe Shot List for "Navajo Weaver":Shot - Master.
Box 15 Folder 33
Cademe Shot List for "Navajo Weaver": Susie Bennally, 1966.
Box 15 Folder 34
Cademe Shot List for "Spirit of Navajo": Tsosie Sisters.
Box 16 Folder 1
Cademe (Shot List for Johnny Nelson).
Box 16 Folder 2
Cademe (Shot List for Alta Khan).
Box 16 Folder 3
Index to Interviews, 1966.
Box 16 Folder 4
Calendars and Catalogues, 1966.
Box 16 Folder 5
Indexes and Logs (Working File).
Box 16 Folder 6
Description and List of Tapes.
Box 16 Folder 7
Master Code for Film Material.
Box 16 Folder 8
Chalfen (Progress Report 10/21/66 - 11/5/66).
Box 16 Folder 9
Navajo and Apache Tribes vs. USA.
Box 16 Folder 10
USGS Maps.
Box 16 Folder 11
Work Notes, Letters, 1966.
Box 16 Folder 12
Correspondence with Adair.
Box 16 Folder 13
Pre-Project Start.
Box 16 Folder 14
Correspondence - Post-Project.
Box 16 Folder 15
Memos - Names.
Box 16 Folder 16
Interpreter Training, 1963.
Box 16 Folder 17
NSF Grant - Continuation (Including Proposal), 1965.
Box 16 Folder 18
Payroll.
Box 16 Folder 19
Bank Statements and Check Stubs.
Box 16 Folder 20
Lab Bills.
Box 16 Folder 21
Frontier Airlines (Courier Service).
Box 16 Folder 22
Bills (Hotel, Trading Post, Air Travel).
Box 16 Folder 23
Auto Expenses, including Gas.
Box 16 Folder 24
Reimbursed Expenses.
Box 16 Folder 25
Notes 2/26 and n.d. 1966.
Box 16 Folder 27
Film Titles (Also for Achtenberg Project), 1966.
Box 16 Folder 28
38-58; M.Anderson/Old Antelope Lake.
Box 16 Folder 29
98-107; Susie Bennally/Navajo Weaver.
Box 16 Folder 30
1-10; Al Clan/Intrepid Shadows.
Box 16 Folder 31
121-137; Al Clan/Intrepid Shadows.
Box 16 Folder 32
Alta Kahn/2nd Navajo Weaver.
Box 16 Folder 33
92-116; Susie Benna;;y/Navajo Weaver.
Box 16 Folder 34
4-26; Johnny Nelson/Horse.
Box 16 Folder 35
11-21; Johnny Nelson/Horse.
Box 16 Folder 36
79-86; Johnny Nelson/Shallow Well Project.
Box 16 Folder 37
137-154; Johnny Nelson/Silversmith.
Box 16 Folder 38
Johnny Nelson at Rewinds.
Box 16 Folder 39
Johnny Nelson/Silversmith.
Box 16 Folder 40
137-154; Johnny Nelson/Silversmith.
Box 16 Folder 41
19-29; Tsosie/"Spirit of the Navajo".
Box 16 Folder 43
Tsosie/"Spirit of the Navajo".
Box 16 Folder 44
Tsosie/"Spirit of the Navajo".
Box 16 Folder 45
33-37; Worth/Demo.
Box 16 Folder 46
23-32; Tsosie/Practice.
Box 16 Folder 47
59-64; Mix.
Box 16 Folder 48
Mike Anderson/Cademe Series.
Box 16 Folder 48
Mike Anderson/Cademe Series.
Box 16 Folder 49
Susie Benally/Cademe Series.
Box 16 Folder 50
Susie Benally - second series/Cademe Series.
Box 16 Folder 51
Al Clah/Cademe Series.
Box 16 Folder 52
Al Clah/Cademe Series.
Box 16 Folder 53
Alta Khan/Cademe Series.
Box 16 Folder 54
Alta Khan/Cademe Series.
Box 16 Folder 55
Johnny Nelson/Cademe Set [1 of 2].
Box 17 Folder 1
Johnny Nelson/Cademe Set [2 of 2].
Box 17 Folder 2
Johnny Nelson/Cademe Series - 2nd Set [1 of 2].
Box 17 Folder 3
Johnny Nelson/Cademe Series - 2nd Set [2 of 2].
Box 17 Folder 4
The Tsosie Sisters/Cademe Series [1 of 2].
Box 17 Folder 5
The Tsosie Sisters/Cademe Series [2 of 2].
Box 17 Folder 6
The Tsosie Sisters/Cademe Series - 2nd Set [1 of 2].
Box 17 Folder 7
The Tsosie Sisters/Cademe Series - 2nd Set [2 of 2].
Box 17 Folder 8
Photographs.
Box 17 Folder 9
Worth.
Box 17 Folder 10
Contact Sheets - Chalfen and Worth, June-Aug 1966.
Box 17 Folder 11
Prints for Book.
Box 17 Folder 12
Slides (Navajo).
Box 17 Folder 13
Diagrams.
Box 17 Folder 14
M. Anderson.
Box 17 Folder 15
S. Benally.
Box 17 Folder 16
A. Clah.
Box 17 Folder 17
A. Kahn.
Box 17 Folder 18
J. Nelson.
Box 17 Folder 19
Tsosie.
Box 17 Folder 20
The Use of Film in Cross-Cultural Communication (NSF proposal Feb 4, 1965).
Box 17 Folder 21
Press Release re NSF Grant (Feb 3, 1965).
Box 17 Folder 22
The Navajo as Filmmaker (NSF proposal, May 1, 1967).
Box 17 Folder 23
Wenner-Gren Talk.
Box 17 Folder 24
Paper delivered at American Anthropology Association Meeting, Washington D.C. 1967.
Box 17 Folder 25
AAA Colloquium, Oct 9, 1967.
Box 17 Folder 26
Paper delivered at AAA, 1967.
Box 17 Folder 27
Draft of Research Report for American Anthropology, 1967.
Box 17 Folder 28
The Navajo as Filmmaker: A Brief Report, 1967.
Box 17 Folder 29
AA Paper: The Navajo as Filmmaker (proofs and reprints).
Box 17 Folder 30
The Navajo as Filmmaker (1st Draft - June) Worth and Adair, 1968.
Box 17 Folder 31
The Navajo as Filmmaker (Copy corrected by Goodenough).
Box 17 Folder 32
AAA Materials - Final Rough Version Dec 1968.
Box 17 Folder 33
Welfare Medical Care Project Proposal (First Draft), 1960.
Box 17 Folder 34
Welfare Medical Care Project (Original Proposal), 1960.
Box 17 Folder 35
Welfare Medical Care Project (Financial) March 1961 - Feb 1964.
Box 17 Folder 36
Welfare Medical Care Project, March 1961.
Box 17 Folder 37
Postgraduate Center for Psychotherapy (Proposal for a Visual Communications Program) Oct 1961.
Box 17 Folder 38
Comments on Films Shown to Art Department, 1963.
Box 17 Folder 39
Correspondence re Adolescent Bio-Doc Project - NIMH, U. of P, 1963.
Box 17 Folder 40
Adolescent Perceptions of Self as Portrayed through Film (proposal for NIMH).
Box 17 Folder 41
A Case Study of the Fighter, 1964.
Box 17 Folder 42
Student Responses to "The Fighter" [Another Yesterday] ASC 1964.
Box 17 Folder 43
Student Responses (Friends Select School) May 12, 1964.
Box 17 Folder 44
Hargon [Harlem Youth] Film Project Proposal, June 1964.
Box 18 Folder 1
Hargon Film Project (Notes), July 1964.
Box 18 Folder 2
Childhood's Noon (Fall 1964), Notes on Comments in ASC Prosem.
Box 18 Folder 3
Miscellaneous Notes on Bio-Doc (Nov 1964).
Box 18 Folder 4
Shayon and Kids, 11/8/64.
Box 18 Folder 5
Student Films Project, July-Dec 1965.
Box 18 Folder 6
College Bound Bio-Documentary Project Proposal (1965-1966).
Box 18 Folder 7
Letter to George (Gerbner?) re Bio-Doc n.d.
Box 18 Folder 8
North Richmond Neighborhood House (Adair Student), 1967.
Box 18 Folder 9
Project for Pennsylvania Hospital - Mental Health Center, 1967.
Box 18 Folder 10
Student Film making, 1968.
Box 18 Folder 11
Kids Make Movies, etc. 1968-1971.
Box 18 Folder 12
Ethnofilm, 1969.
Box 18 Folder 13
Community Film making Correspondence, 1969-1972.
Box 18 Folder 14
Black Filmmaker (Messans Report).
Box 18 Folder 15
Film making for Older People, 1971.
Box 18 Folder 16
Worth-Rudy Proposal: An American Community's Socialization to pictures (Juniata County), 1977.
Box 18 Folder 17
Research Notes (Film Syntax, Vidistics), Jan 1965 - Feb 1966.
Box 18 Folder 18
Blank Forms, Feb 20, 1965.
Box 18 Folder 19
Response Forms (1 of 8 - Film I; Bundled).
Box 18 Folder 20
Response Forms (2 of 8 - Film I; Bundled).
Box 18 Folder 21
Response Forms (3 of 8 - Film II; Bundled).
Box 18 Folder 22
Response Forms (4 of 8 - Film II; Bundled).
Box 18 Folder 23
Response Forms (5 of 8 - Film III; Bundled).
Box 18 Folder 24
Response Forms (6 of 8 - Film III; Bundled).
Box 18 Folder 25
Rokeach Forms (7 of 8; Bundled).
Box 18 Folder 26
Rokeach Forms (8 of 8; Bundled).
Box 18 Folder 27
Response Forms - Film I (1 of 9).
Box 18 Folder 28
Response Forms - Film II (2 of 9).
Box 18 Folder 29
Response Forms - Film II (3 of 9).
Box 18 Folder 30
Response Forms (5 of 9).
Box 18 Folder 32
Response Forms (4 of 9).
Box 18 Folder 31
Response Forms (6 of 9).
Box 18 Folder 33
Response Forms (7 of 9).
Box 19 Folder 1
Response Forms (8 of 9).
Box 19 Folder 2
Response Forms (9 of 9).
Box 19 Folder 3
Hampe Tests - Research (1 of 2), Feb 20, 1965.
Box 19 Folder 4
Hampe Tests - Research (2 of 2), Feb 20, 1965.
Box 19 Folder 5
Temple - Childhood's Noon Forms.
Box 19 Folder 6
Temple Study: Questionnaire (1 of 2), 1966.
Box 19 Folder 7
Temple Study: Questionnaire (2 of 2), 1966.
Box 19 Folder 8
Notes-Data, April-May, 1966.
Box 19 Folder 9
Computer Center Notes, May-October, 1966.
Box 19 Folder 10
Research Notes (Katsher), 1968.
Box 19 Folder 11
Waterhouse, R.F. n.d.
Box 19 Folder 12
Factor Analyzing of T-K, n.d.
Box 19 Folder 13
Original Data - 25 Students from Friends' Select (1 of 3), Feb-Apr 1965.
Box 19 Folder 14
Original Data - 25 Students from Friends' Select (2 of 3), Feb -April, 1965.
Box 19 Folder 15
Original Data - 25 Students from Friends' Select (3 of 3), Feb -April, 1965.
Box 19 Folder 16
Data Field Notes, 1965.
Box 19 Folder 17
Data, 1965.
Box 19 Folder 18
Semantic Differential Scale, 1965.
Box 19 Folder 19
Meetings with Feldman re Research, April - June, 1965.
Box 19 Folder 20
Fortran Notes, July, 1965.
Box 19 Folder 21
List of all Words, 1965-1966.
Box 19 Folder 22
List of all words, categories and frequencies, 1965-1966.
Box 19 Folder 23
Data Analysis Notebook, May-Oct 1966.
Box 19 Folder 24
Winston-Worth Words, 1967.
Box 19 Folder 25
Winston-Worth - Counts and Percents of Words, June, 1967.
Box 19 Folder 26
Analysis - Blank Forms, n.d.
Box 19 Folder 27
Rokeach Scores, n.d.
Box 19 Folder 28
Word Category - Lafel, n.d.
Box 19 Folder 29
Categories (Word lists/tabulation), n.d.
Box 19 Folder 30
Original - scored data sheets, n.d.
Box 19 Folder 31
Word Category Data, n.d.
Box 19 Folder 32
Analysis, ca.1969-1970.
Box 19 Folder 35
Graphs (Transparencies) "Associated with..." Question, ca. 1969-1970.
Box 19 Folder 36
Graphs (Transparencies) Verbal Labels - Ranks ca. 1969-1970.
Box 19 Folder 37
Graphs (Transparencies) ca. 1969-1970.
Box 19 Folder 38
Graphs (Transparencies) "Interest in..." Question, ca. 1969-1970.
Box 19 Folder 39
Graphs (Lim,Benito,thesis), ca. 1969-1970.
Box 19 Folder 40
Unidentified, n.d.
Box 19 Folder 42
Standard Deviation Work Sheets, n.d.
Box 19 Folder 43
Word List for Sorting, n.d.
Box 19 Folder 44
Lafal Category Practice Sheets, n.d.
Box 19 Folder 45
Lafal Category Work Sheets, n.d.
Box 19 Folder 46
Rokeach 40 Question - Open and Closed Test, n.d.
Box 19 Folder 47
Miscellaneous Research Cards.
Box 20

Worth Bibliographies - 1978.
Box 21 Folder 1
Cezanne and Perception.
Box 21 Folder 2
The Cliffs of Fall (Film Script).
Box 21 Folder 3
The Cliffs of Fall (Novel).
Box 21 Folder 4
Cognitive Aspects of Sequence in Visual Communication, 1968.
Box 21 Folder 5
Comments on a Theory of Bio-documentary, n.d.
Box 21 Folder 6
Community Health, 1970.
Box 21 Folder 7
The Concept of the Media Laboratory, 1966.
Box 21 Folder 8
The Development of a Semiotic of Film, 1969.
Box 21 Folder 9
The Development of a Semiotic of Film, Jan 1969Box 21.
Box 21 Folder 10
The Documentary Film: An Approach Toward Teaching... (Gilbert Seldes Notes).
Box 21 Folder 11
Doing Anthropology of Visual Communication, 1977.
Box 21 Folder 12
Editor's Introduction (v.1, no. 1 SAVICOM), 1974.
Box 21 Folder 13
Editor's Introduction to Goffman, Gender Advertisements.
Box 21 Folder 14
Explorations in the Bio-documentary Film, Dec 1964.
Box 21 Folder 15
Film as Non-Art, 1966.
Box 21 Folder 16
Film Communication, 1965.
Box 21 Folder 17
Film making as an Aid to Action Research, 1964.
Box 21 Folder 18
An Interview with Sol Worth (ed. Aibel).
Box 21 Folder 19
Letter from Finland.
Box 21 Folder 20
Man is not a Bird (Draft for symposium), 1976.
Box 21 Folder 21
Man is not a Bird (Gombrich, et al, editor's version), 1976.
Box 21 Folder 22
Man is not a Bird (Drafts for Rewrite).
Box 21 Folder 23
Man is not a Bird (Semiotica Version), 1977.
Box 21 Folder 24
Margaret Mead of the Shift from "Visual Communication" to ..., 1976.
Box 21 Folder 25
Margaret Mead and the Shift... (Drafts and Revisions), 1976.
Box 21 Folder 26
Motion Picture Production in the University (Review).
Box 21 Folder 27
Pictures Can't Say Ain't (Published Version, 1976).
Box 21 Folder 28
Pictures Can't Say Ain't (Version 2, 1975).
Box 21 Folder 29
Pictures Can't Say Ain't, 1974.
Box 21 Folder 30
Pictures Can't Say Ain't (Figures).
Box 21 Folder 31
The Process of Film making.
Box 21 Folder 32
Prolegomenon to Vidistics.
Box 21 Folder 33
Public Administration and the Documentary Film, 1974.
Box 21 Folder 34
The Public Administrator and, or versus, the Filmmaker, n.d.
Box 21 Folder 35
The Relevance of Research, 1969.
Box 21 Folder 36
Review of Bazin, "What is Cinema?".
Box 21 Folder 37
Seeing Metaphor as Caricature, 1974-1975.
Box 21 Folder 38
Selected Papers (Worth and Gross), 1976.
Box 21 Folder 39
Story about Hospitalization.
Box 21 Folder 40
Strategies of Communicative Performance and Interpretation (original Version).
Box 21 Folder 41
Strategies of Interpretation: Figures, Sept 1974.
Box 21 Folder 42
Student Film Workshop, 1963.
Box 21 Folder 43
Symbolic Strategies, 1974.
Box 21 Folder 44
Testimony for the Committee on Appropriations, Subcommittee on the Interior, April 1977.
Box 21 Folder 45
Toward the Development of a Semiotic of Ethnographic Film, 1968-1972.
Box 21 Folder 46
Toward an Anthropological Politics of Symbolic Forms, 1972.
Box 21 Folder 47
Toward an Ethnographic Semiotic.
Box 21 Folder 48
Toward an Ethnographic Semiotic (Paris Paper with notes).
Box 21 Folder 49
Translation of "The Medium of Expression and Content in the Cinema" Metz, 1968.
Box 21 Folder 50
TV: A Window on Whose World?.
Box 21 Folder 51
The Use of Film in Education and Communication, 1971 - 1974.
Box 21 Folder 52
The Uses of Film in Education and Communications (Drafts and Revisions).
Box 22 Folder 1
Whose Voice is Heard?.
Box 22 Folder 2
You are on Indian Land (Review), 1972.
Box 22 Folder 3
I Navajo Come Registi, 1967.
Box 22 Folder 4
AA Paper - Final Version, May 1969.
Box 22 Folder 5
Navajo Filmmakers (AA, 1970).
Box 22 Folder 6
Copy of Navajo Book, annotated in Sausalito, 8/9-11, 1968.
Box 22 Folder 7
Book Adair - 1st Draft Inserts, Aug 1968.
Box 22 Folder 8
Worth to Adair re manuscript corrections, Aug 11, 1968.
Box 22 Folder 9
New Work for Book - introduction, July 1969.
Box 22 Folder 10
Original Manuscript for Book.
Box 22 Folder 11
Manuscript (Draft 1: Hymes Edit).
Box 22 Folder 12
Structuring Reality: The Navajo Make Movies (early draft of Through Navajo Eyes) [1 of 2], 1970.
Box 22 Folder 13
Structuring Reality: The Navajo Make Movies (early draft of Through Navajo Eyes) [2 of 2], 1970.
Box 22 Folder 14
Manuscript corrected copy (Xerox Transcript) [1 of 2].
Box 22 Folder 15
Manuscript corrected copy (Xerox Transcript) [2 of 2].
Box 22 Folder 16
Navajo Filmmakers (Newsletter), 1971.
Box 22 Folder 17
Photos for Book with Captions (xerox), 1972.
Box 22 Folder 18
What is Film? - Lecture, n.d.
Box 22 Folder 19
Talk: Community Health Services Bio-Doc, Sept 24, 1964.
Box 22 Folder 20
The Case for Propaganda (Saturday Opinion Forum, Friends Peace Committee and AFSC), Jan 30, 1965.
Box 22 Folder 21
Mitchell Talk (Teachers in Training Institute), Feb, July, 1965.
Box 22 Folder 22
Faculty Seminar - Sol Worth Model, April 1965.
Box 22 Folder 23
Lecture to Cinema Group, 5/27/65.
Box 22 Folder 24
Mitchell Talk (Teachers in Training Institute), 7/22/65.
Box 22 Folder 25
Notes for Lecture on Communication (Project College-Bound), July 1965.
Box 22 Folder 26
The American Image Abroad (Artists Equity), Oct 1965.
Box 22 Folder 27
Talk (Brandeis Ladies Club), April 25, 1966.
Box 22 Folder 27
Yale Psychology Lecture (1966).
Box 22 Folder 28
Faculty Seminar (Navajo Noon).
Box 22 Folder 29
Navajo Project Lecture (Anthropology Dept), 1966.
Box 22 Folder 30
Colloquium - "Navajo", Oct 9, 1967.
Box 22 Folder 31
Talk (National Association of Social Workers - Eastern Inst Region), 10/20/67.
Box 22 Folder 32
Wenner-Gren Meeting (Presentation re Navajo Project), April 1967.
Box 22 Folder 33
Paper Delivered at AAA Wash D.C. 1967 (Original).
Box 22 Folder 34
Art Alliance Lecture, 1967.