Call Number:

007

Repository:

University of Pennsylvania: Architectural Archives

Extent:

15? linear feet (10 boxes + 3056 architectural drawings + 1330 photographs + 466 negatives)

Language:

English

Preferred Citation:

Edmund Beaman Gilchrist Collection, The Architectural Archives, University of Pennsylvania.

Date:

1889, circa 1908-1984 (inclusive) and 1908-1945 (bulk)

Form:

Architectural drawings (visual works) and Photographs

Abstract:

Edmund Gilchrist was born in the Germantown neighborhood of Philadelphia, the son of William W. and Susan (Beaman) Gilchrist, and was educated at Germantown Friends School. His architectural training began in courses taken at the Drexel Institute and at the University of Pennsylvania. Before beginning his own practice, he worked in two of the most successful architectural offices in Philadelphia. Horace Trumbauer's commissions included some of the grandest mansions in the Philadelphia region and beyond, often executed in French neo-classical detail; Gilchrist's work would include similar houses. While in the office of Wilson Eyre, however, Gilchrist encountered an approach to domestic forms that combined historical motifs with innovative planning, two of the most important features of Gilchrist's designs. He first worked with his most important early client, developer Dr. George Woodward, while in Eyre's office.

Woodward gave Gilchrist his first independent commissions near the end of the first decade of the twentieth century. Together with Philadelphia architects H. Louis Duhring (1874-1953) and Robert Rodes McGoodwin (1886-1967), Gilchrist created a garden city-like community within the Chestnut Hill neighborhood of Philadelphia that combined complex, modern planning with historicist details and gracefully mixed clustered and free-standing houses, gardens, and roadways. Woodward dubbed his development "St. Martin's," and retained most of the houses he built there for rental. Gilchrist continued to design new houses for Woodward into the 1920s, and made minor renovations to his earlier designs into the 1930s.

Gilchrist's practice expanded significantly in the later 1910s, and he joined the national AIA in 1916. His work in this period followed the lead of his Woodward commissions in two significant respects. First, his clients largely came from an elite Philadelphia social stratum of old families, and second, many of these houses were built in the contiguous Germantown, Chestnut Hill, and Mount Airy neighborhoods of the city. Work in resort communities in Maine where these Philadelphians summered also began in this period.

Gilchrist's planning expertise and innovations were recognized in the profession and beyond. During the latter part of World War I he produced designs to the U.S. Shipping Board's Emergency Fleet Corporation housing. He was one of a number of prominent architects to design house groups for the planned community of Mariemont, Ohio in the 1920s. In the early 1930s, he served on the Philadelphia AIA's special committee on the economics of site planning and housing, producing model designs, and on the Committee for Design for President Hoover's Conference on Home Building and Home Ownership. He also produced designs in the 1930s for the reconstruction of the central portion of the town of Ellsworth, Maine, after a destructive fire.

Although the bulk of Gilchrist's work was domestic, he also designed commercial buildings in central Philadelphia, and the Gibbsian Unitarian Church of Germantown, a regional landmark. He retired from practice in 1943.

This collection is the primary archive of the work of architect Edmund B. Gilchrist, comprising architectural drawings and blueprints, photographic prints, photographic negatives and office files documenting buildings and projects spanning the years 1908 to 1945. The vast majority of Gilchrist's major commissions are represented by drawings in the collection, with the exception of the Unitarian Church of Germantown. The collection includes some additional materials dated 1955 and 1984 related to alterations to the Cosmopolitan Club in Philadelphia.

The collection is arranged in five series. Series I through III are arranged by job number. Each project is associated with a job number assigned by Gilchrist's office, if available. Projects for which the job number is not identified are filed at the end.