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William E. Fredeman Collection of William Bell Scott, the Scott Family, and Alice Boyd
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
William E. Fredeman was a prominent professor, scholar, and collector of Victorian literature and Pre-Raphaelitism. Born in 1928 in Pine Bluff, Arkansas, Fredeman pursued his BA at Hendrix College. After receiving his PhD in English at the University of Oklahoma in 1956, he joined the faculty at the University of British Columbia in Vancouver, Canada, where he taught until 1991. Best known for his book Pre-Raphaelitism, A Bibliocritical Study (Harvard University Press, 1965), Fredeman also wrote a major two-volume study of Dante Gabriel Rossetti's letters, and contributed to many major projects, including four volumes of the Dictionary of Literary Biography, The Pre-Raphaelite Brotherhood Journal, the collected letters of William Bell Scott, and numerous articles and books on Dante Gabriel Rossetti, William Morris, Alfred Tennyson, and the Victorians. From the 1950s through the 1990s, he was also a well-known and avid collector of books, artwork, and manuscripts related to the Pre-Raphaelites and their circle, and his vast collection drew many scholars and researchers in the field. He died in 1999.
The collection includes personal and family papers of William Bell Scott (1811-1890), a Scottish poet, painter, art critic, and occasional engraver, known for his association with the Pre-Raphaelite Brotherhood in London, founded by Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais. Also present are personal and family correspondence and an estate document of Scott's life partner and mistress, Alice Boyd (1824-1897). William Bell Scott met Alice Boyd, also a painter, in London in 1859. They began a relationship that lasted for the rest of Scott's life. Beginning in the 1860s, Scott and his wife Letitia lived with Boyd in the summer and fall, while the three resided together at Scott's house in London during the other half of the year. Penkill Castle, the family estate in Ayrshire, Scotland, which Alice Boyd owned, served as an occasional refuge for many artists and writers associated with the Pre-Raphaelite circle, including the Rossetti family, William Morris, and W. J. Linton. Scott completed many books and paintings while in residence, and died at the castle in 1890, leaving many of his papers.
Scott's materials include manuscripts, drafts, and corrected page proofs for poetry and prose writings, drawings and sketches, engraving proofs, correspondence, record books of print sales, inscribed books, binding dummies, and personal documents, such as an address book and passport. Also included are many important official documents, autograph letters and ancillary holograph material regarding the Scott family, including William Bell Scott's brother, the painter David Scott (1806-1849), their father, the engraver Robert Scott (1777-1841), grandfather Robert Scott, and great-grandfather George Scott. Alice Boyd's papers include personal and family correspondence, as well as an estate document regarding her grandfather, William Losh, and an unsigned manuscript chronicling the history of Alice Boyd and the Pre-Raphaelites at Penkill Castle. A small group of related materials, with holograph poems by others and clippings, is also included.
The following standard abbreviations, or their variations, are used to identify materials in this collection: ALS = autograph letter signed, AL = autograph letter, TLS = typed letter signed.
This collection was a part of William E. Fredeman's large collection of books, artwork, and manuscripts related to the Pre-Raphaelites and their circle, which he developed from the 1950s through the 1990s. Fredeman acquired these papers, which were once housed at Penkill Castle, from descendants of the Alice Boyd family.
Purchase, 2013 and 2014.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
This collection was processed by Kelly Bolding in April, 2014. Finding aid written by Kelly Bolding in April, 2014.
All materials were retained with the collection, with the exception of a large metal strong box that originally housed the Scott family papers.
People
- Boyd, Alice (1824-1897)
- Scott, David (1806-1849)
- Scott, William Bell (1811-1890)
- Boyd family
- Scott family
Organization
Subject
- Publisher
- Manuscripts Division
- Finding Aid Date
- 2014
- Access Restrictions
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The collection is open for research.
- Use Restrictions
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Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
This series is arranged into five file groups.
This series includes writings, artwork, personal correspondence, and documents of William Bell Scott, as well as family papers following his paternal family line through four generations. Scott, a close friend and associate of Dante Gabriel Rossetti and other central Pre-Raphaelites, was active in several fields, generating written work as a poet, art critic, and memoirist, and visual work as an engraver, painter, and teacher of the ornamental arts. The variety of materials present in this series reflects the diversity of Scott's artistic practice. These materials include manuscripts, drafts, corrected page proofs, notes, sketches, print proofs of engraved illustrations, print sales records, binding dummies, errata slips, and bound printed volumes for many of William Bell Scott's major works in poetry, prose, and art, as well as for projects to which he contributed writing or illustrations. Also included are assorted early drafts of individual poems and essays, along with various informal notes, stencils, and drawings. His correspondence relates to publishing projects and events.
Family papers consist of correspondence, estate papers, writings, drawings, and official documents regarding feudal property rights, marriage, and guildry for the Scott family, including William Bell Scott's brother David Scott (1806-1849), a known historical painter; his father, the engraver Robert Scott (1777-1841); his grandfather, also named Robert Scott; and great-grandfather, George Scott. William Bell Scott's descriptions of most of the earlier family documents present in this series can be found in his discussion of the Scott family ancestry in pages 9-17 of Memoir of David Scott, R.S.A.; Containing his Journal in Italy, Notes on Art and Other Papers (Edinburgh, A. & C. Black, 1850).
Physical Description5 boxes
This file group is arranged into three subsequent file groups.
This file group contains manuscripts, drafts of poems and prose works, corrected page proofs, record books, binding dummies, bound volumes, sketches and engraved illustrations, correspondence, and personal documents of William Bell Scott, pertaining to his activities as a painter, poet, and art critic, as well as to his personal life.
Physical Description5 boxes
Materials are arranged alphabetically by title, with unidentified notes and sketches at the end.
A significant group of manuscript materials exist relating to Scott's final volume of poetry, A Poet's Harvest Home, first published by Elliot Stock in 1882, and again years later with an "aftermath" of additional poems, published by Elkin Mathews and John Lane in 1893. Of note is a complete bound manuscript, which William Bell Scott copied out by hand, day by day, for several months in 1881 as a gift for Alice Boyd. The manuscript, which contains various corrections, additions, and deletions, also served as a mock-up for the printed volume. Also present are many drafts of individual poems that appeared in A Poet's Harvest Home, including a group of poems William Bell Scott wrote during a flurry of activity in the late 1870s and early 1880s during his time at Penkill Castle.
Materials related to other published works, including drafts, page proofs, and print proofs of engraved frontispieces for the 1854 and 1875 editions of Poems are also present, along with notes for chapters of his autobiography, binding dummies and title-page mock-ups for books to which he provided engraved illustrations, notes regarding his contributions to encyclopedias, and manuscripts of essays and letters published in various journals. Several bound volumes are additionally included, some containing original prints of Scott's engraved work, as well as a few association copies of his books inscribed to friends. Also of note are several of Scott's sketches for a proposed addition to Penkill Castle in the 1870s and 1880s, following the completion of his murals on the castle's staircase.
In addition to his individual pursuit of poetry, painting, and engraving, Scott served as the master of the Government School of Design at Newcastle-on-Tyne for over twenty years. Accordingly, these files also contain assorted ornamental drawings and sketches, woodcut illustrations, and decorative stencils related to Scott's study of design and ornamental arts.
Physical Description3 boxes
1 box
Inscribed to Alice Boyd of Penkill Castle, in commemoration of the publication of A Poet's Harvest Home on April 15, 1882. William Bell Scott wrote out the poems by hand in August and September of 1881 at Penkill Castle. While some poems contain crossed out lines, annotations, and edits, the layout of this manuscript, including placed proofs of woodcut illustrations, is a very close mock-up of the published version. Bound in green morocco by Roger de Coverley.
Physical Description1 folderBound manuscript
These poems, originally housed together, were produced in 1878-1884, during a period of intense writing at Penkill Castle, following the publication of Poems in 1875. Most were later published in A Poet's Harvest Home. Titles of individual poems include: "1881," "A Dieu," "Continuity of Life," "Despondency," "Destiny," "Ego," "Infancy," "Love and Death," "The Madonna di San Sisto," "Morality," "My Rhyme of Love," "Of Love, III. One Day," "Of Love, IV. Another Day," "Of Poets, IV. Dante and Beatrice," "St. Dominic," "The Twenty Fifth Anniversary," and an untitled poem beginning, "A. B. and C. are well known men..."
Physical Description1 folder
The second version of this poem was used in A Poet's Harvest Home.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
[Albrecht Dürer]. Includes three notes by William Bell Scott tipped into the front cover.
Physical Description1 folder
Published in the Athenaeum, no. 2735, pages 415-416.
Physical Description1 folder
1 box
Related to Chapter XIX of Scott's Autobiography, "Penkill and Miss Boyd, 1880."
Physical Description1 folder
Related to Chapter XVIII of Scott's Autobiography, "Artistic Inquiries, 1879-1880."
Physical Description1 folder
1 folder
Contains engraved illustrations by William Bell Scott.
Physical Description1 boxBound volume
1 folder
Gilt seal on cover was designed by William Bell Scott.
Physical Description1 folder
[Albrecht Dürer]. Note says, "Printed at Nuremberg by Wolff Drechsel."
Physical Description1 folder
1 folder
Regarding the "Master of the Caduceus".
Physical Description1 folder
"The King's Quair" refers to a group of large historical murals that William Bell Scott painted on the spiral staircase at Penkill Castle over several years, illustrating a poem attributed to King James I of Scotland. In 1887, Scott published Illustrations to the King's Quair of King James I. of Scotland, which featured engravings modeled on his earlier paintings.
Physical Description2 boxes
Includes Scott's plans for a later "proposed addition" to Penkill Castle in the 1870s-1880s.
Physical Description1 folder
1 folder
Printed book with engraved India ink illustrations, etched in 1885 from paintings made in June, 1856 through August, 1868.
Physical Description1 boxBound volume
1 folder
1 folder
Includes an introductory essay on ornamental art by William Bell Scott.
Physical Description1 boxBound volume
Consists of a preface and two chapters on Spanish art.
Physical Description1 folder
2 boxes
1 folder
Possibly used to make edits for later version of Poems, published in 1875.
Physical Description1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
34 copies.
Physical Description1 folder
Inscribed to the author's wife, Letitia Scott.
Physical Description1 boxBound volume
1 folder
1 folder
1 folder
1 folder
Privately printed author copy of book by William Bell Scott with plates engraved by his father, Robert Scott. Includes William Bell Scott's bookplate.
Physical Description1 boxBound volume
1 folder
Presentation copy inscribed to Alice Boyd. Includes William Bell Scott's illustrations to William Blake's writings. Several of Scott's tracings from sketches by William Blake are also tipped into the volume's rear cover.
Physical Description1 boxBound volume
Two copies of the 1846 volume are present. One is an association copy inscribed to Lucy Madox Brown. The other is a presentation copy inscribed to Lady Wilde with a letter tipped into the front cover, dated October 29, 1879, requesting her corrections.
Physical Description1 boxBound volumes
1 folder
1 folder
Drawings include an assortment of 19 cartoon sketches, floral motifs, decorative designs, figures, and borders.
Physical Description1 folder
5 pieces.
Physical Description1 folder
1 folder
Includes a page of notes regarding Jean-Antoine Watteau, symmetry, ornamental art, and painting; a list of names beginning with C-D, for which Scott wrote entries for a new edition of the Edwards Encyclopedia; and a page of notes, reading "fresh flowers, little fishes, row of trees by the riverside" with a list of animals.
Physical Description1 folder
Letters are arranged alphabetically by correspondent.
This file group includes personal correspondence of William Bell Scott, primarily letters received, regarding books and publishing, the work of other writers and artists, and invitations to events. A significant portion of the correspondence, dated 1887, consists of letters thanking William Bell Scott for gifted copies of The Illustrations to the King's Quair, an edition of engravings Scott published that year based on his paintings at Penkill Castle.
Of note is a letter from William Morris regarding a work contract that Scott held with Morris, as well as Morris's impressions of Stonehenge and his decision to take up tapestry work. Also present is a detailed letter from William Bell Scott's brother, David Scott, regarding his views on art. Several postcards from William Bell Scott, along with a watercolor valentine addressed to Alice Boyd, can be located among her personal correspondence.
Physical Description1 box
1 folderALS
1 folderALS
1 folderALS
1 folderALS
1 folderALS
1 folderAL
1 folderALS
1 folderALS
1 folderALS
This lengthy letter contains David Scott's answers to many questions on art and philosophy that William Bell Scott had posed to him over the years. William Bell Scott published his brother's memoirs in 1850, likely using many of these insights therein.
Physical Description1 folderALS
1 folderALS
1 folderALS
The original letter can be found tipped into the cover of the presentation copy of The Year of the World inscribed to Lady Wilde, located in Box 5.
Physical Description1 folderPhotocopy of ALS
1 folderALS
1 folderALS
Signed "U.F.U."
Physical Description1 folderALS
Items within this file group are arranged alphabetically by format.
This file group includes personal documents and effects belonging to William Bell Scott, which remained at Penkill Castle after his death. Included are Scott's address book listing the names and addresses of his friends and fellow artists and writers, as well as notes on his models and travel arrangements, a passport bearing many stamps from his frequent trips to Italy and France in the 1850s and early 1860s, calling cards for Scott and Alice Boyd, and an envelope of Dante Gabriel Rossetti's monogram stamps that Scott kept with his effects. Also present is a small document box bearing Scott's monogram, in which he stored many of his most personal documents. Of note are two record books documenting prints sold by Scott, including prices, type, and location information for artwork sold between 1870 and 1884.
Physical Description2 boxes
Contains over 100 holograph entries with addresses for William Bell Scott's friends and acquaintances, including many central Pre-Raphaelite artists, writers, and associated figures, including William Morris, John Everett Millais, Dante Gabriel Rossetti, Christina Rossetti, and William Michael Rossetti. Also includes notes about travel accommodations and Scott's models.
Physical Description1 folder
Includes several copies of William Bell Scott's calling card, listing his residence as Belle Vue House at 92 Cheyne Walk in London, and one that Scott kept from Alice Boyd at Penkill Castle.
Physical Description1 folder
1 folder
This cedar and metal document box with "WBS" inscribed on lid, contained many of William Bell Scott's most personal documents, including his passport, address books, and other items. Included inside is a key for Scott's large metal strong box, which contained various personal and family papers.
Physical Description1 box
Two booklets of records of prints sold by William Bell Scott, including one containing information on prints sold from 1870 to 1878 and the sale of Scott's private collection to Ellis in 1882 and one documenting the sale of prints in 1884.
Physical Description1 folder
1 folder
1 folder
Documents are arranged chronologically.
George Scott, skinner and burgess of Lanark, was the great-grandfather of William Bell Scott. This file group contains documents related to feudal property rights to a family home at Bloomgate and his marriage to Jean Hunter, as well as a guild ticket.
Physical Description1 box
1 folderSigned holograph document
1 folderSigned holograph document
1 folderHolograph document
1 folderIlluminated holograph document
Documents are arranged chronologically.
Robert Scott (the elder) was the grandfather of William Bell Scott, a skinner and tax collector who lived at Bloomgate in Lanark and later in Musselburgh. This file group contains documents regarding feudal property and his marriage to Grizell Meikle.
Physical Description1 box
1 folderSigned holograph document
1 folderSigned holograph document
1 folderHolograph document on vellum
Papers are arranged chronologically, with undated sketches at the end.
Robert Scott (1777-1841), the father of William Bell Scott, was an engraver of small book illustrations and landscapes, active in Lanark and Edinburgh, Scotland. This file group contains legal documents regarding feudal property rights and guild membership, a letter, and two drawings, as well as estate papers retained by David Scott after his father's death. In 1800, Robert Scott married Ross Bell, the mother of David Scott and William Bell Scott.
Physical Description1 box
1 folderPrinted document on vellum
1 folderALS
1 folderHolograph document on vellum
1 folderHolograph copy
Includes two receipts.
Physical Description1 folderHolograph document and 2 holograph receipts
1 folderHolograph document
Signed, "R.S."
Physical Description1 folderPen and ink drawing
Signed, "R.S."
Physical Description1 folderPen and ink drawing
Papers are arranged chronologically.
David Scott (1806-1849), a Scottish historical painter, was the older brother of William Bell Scott. This file group includes correspondence, an essay manuscript, and estate papers kept by William Bell Scott, who inherited his brother's property upon his death, as well as compiled his memoirs.
Of note are two lengthy holograph letters from David Scott to his father describing his experiences while studying painting in Rome in 1833 and 1834. An additional letter, from David Scott to William Bell Scott describing his philosophy and practice of art, can be found with William Bell Scott's personal correspondence.
Physical Description1 box
Written from Rome.
Physical Description1 folderALS
Written from Rome, describing David Scott's art studies abroad.
Physical Description1 folderALS
Contains a document listing the club's "Resolutions Proposed for Adoption."
Physical Description1 folderAL
Letter regards David Scott's painting Vasco de Gama Passing the Cape of Good Hope.
Physical Description1 folderALS
1 folder
Also contains added annotations and inscriptions by others.
Physical Description1 folderHolograph document
1 folderHolograph document
1 folderALS
1 folder
1 folderHolograph document
1 folder
Document shows an amount totaling 1384 British sterling to William Bell Scott.
Physical Description1 folder
1 folder
Document shows debt totaling 809 British sterling.
Physical Description1 folderHolograph document
Document shows amount totaling 818 British sterling.
Physical Description1 folderHolograph document
Alice Boyd's correspondence is followed by family correspondence, arranged alphabetically by sender, with other documents and manuscripts at the end.
This series includes materials related to William Bell Scott's companion, Alice Boyd, and her family, primarily personal and family correspondence related to the Boyd, Courtney, and Losh families, along with one estate document. Alice Boyd owned Penkill Castle in Ayrshire, where William Bell Scott, among other known Pre-Raphaelite artists and associates, resided while working on various creative projects. Present is Boyd's correspondence with some of these figures regarding their visits to the castle, as well as her correspondence with publishers and other parties regarding Scott's work after his death. Family correspondence pertains mainly to the family's alkali business and the status of Penkill Castle, and also includes W.J. Linton's condolences to the heirs of Alice Boyd following her death in 1897. One family document is also present, regarding the disposition of the property of William Losh, Boyd's grandfather, following the sale of his alkali works business, as well as an unsigned manuscript by an unknown relative of Alice Boyd from the late 1890s, titled "The History of an Old Ayrshire Mansion," which documents the life of Alice Boyd and several major Pre-Raphaelites at Penkill Castle.
Items of note include a letter from Christina Rossetti to Alice Boyd, following a visit to the castle in the late 1860s, as well as a letter from Spencer Boyd, Alice's brother, describing his visit to Penkill Castle prior to their residence.
Physical Description1 box
Letters are arranged alphabetically by correspondent, with unidentified items at the end.
This file group includes Alice Boyd's personal correspondence with notable friends and associates, including William Bell Scott, Christina Rossetti, W.J. Linton, and Frederick Burton.
Physical Description1 box
1 folderALS
Regarding finances, the Courtney family crest, and Penkill Castle.
Physical Description1 folderALS
Describing an early visit to Penkill Castle by Spencer Boyd, the brother of Alice Boyd, prior to their residence.
Physical Description1 folderALS
1 folder2 ALSs
1 folder4 ALSs
Regarding Alice Boyd's request for the return of the wood blocks and manuscript for A Poet's Harvest Home.
Physical Description1 folderTLS
1 folder4 ALSs
1 folder7 ALSs
1 folder8 ALSs
1 folderALS
Contains printed advertisement on "Growing Wood."
Physical Description1 folderALS
Letter regards a recent visit by Rossetti to Penkill Castle.
Physical Description1 folderALS
1 folder4 ALSs and a watercolor valentine
1 folderALS
1 folder2 ALSs
Letter mentions a trip to the National Gallery.
Physical Description1 folderAL
Letter mentions the Burne-Jones Family.
Physical Description1 folderALS
Text is crossed out.
Physical Description1 folderALS
1 folderALS
These letters, written on mourning stationary, were sent after the death of Alice Boyd.
Physical Description1 folder2 ALSs and 3 envelopes
Soliciting information about alkali manufacturing.
Physical Description1 folderALS
Includes 3 pencil sketches of Penkill Castle.
Physical Description1 folderALS and 3 pencil sketches
1 folderSigned holograph document
Twelve-page manuscript by an unknown relative of Alice Boyd, possibly Margaret Courtney-Boyd or another of Boyd's nieces, which includes a detailed report on the history and inhabitants of Penkill Castle during the time of Alice Boyd's residence, with special attention to the activities of several major Pre-Raphaelites, including William Bell Scott, Dante Gabriel Rossetti, Christina Rossetti, Arthur Hughes, and others.
Physical Description1 folderUnsigned manuscript
Poems are arranged alphabetically by title, followed by a letter fragment and clippings.
This series includes related papers and clippings that were retained with the collection from Penkill Castle. Included are several holograph poems by others, some copied out in the hand of William Bell Scott and others by an unknown party. Also present are a letter fragment, and clippings of Scott's early work in print magazines.
Physical Description1 box
In the hand of William Bell Scott.
Physical Description1 folder
Written for the Beatrice Festival at Florence.
Physical Description1 folder
1 folder
1 folder
Includes two Boyd family heraldry engravings.
Physical Description1 folder
In the hand of William Bell Scott.
Physical Description1 folder
1 folder
Contains clippings of William Bell Scott's early writings and engravings, including "The Martyr and the Pilgrim," a poem he published in Tait's Magazine in August, 1834, and his engravings published in Cleave's London Satirist and Gazette of Variety in the late 1830s or early 1840s.
Physical Description1 folder