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Roger Hinks Papers
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
R. P. Hinks was an English art historian.
The collection contains the diaries/journals of Hinks, with typed transcriptions, as well as drafts of John Goldsmith's edited version of them that was published in 1984 as The Gymnasium of the Mind: The Journals of Roger Hinks, 1933-1963. In addition, there are notes for a lecture entitled "Sacred and Profane Love," dealing with Dante Gabriel Rossetti, William Morris, and their wives; notes and related correspondence about "The Antique" and classical Greek art for a Penquin series; over forty small notebooks (1932-1963), some containing obvious source material for the journals; correspondence of Hinks, with his father, Arthur R., and brother, David A. G., with friends Bernard Berenson, Thure Bonde, Ian McCallum, Patrick Thursfield, and others; correspondence of Francis Wormald, a professor of paleography and Hinks's friend and executor of his estate (with McCallum); a few photographs of Hinks; his watch and a set of keys; and various estate-related documents, such as Hinks's will and an inventory of his household. Thursfield's detailed examination of the manuscript material left behind by Hinks at his death, entitled "The Journals and Diaries of Roger Hinks" (9 pp.) and dated July 1964, is included.
The brief biographical note on Hinks is taken from the "Prologue" of The Gymnasium of the Mind: The Journals of Roger Hinks, 1933-1963, edited by John Goldsmith (Salisbury, Wiltshire: M. Russell, 1984).
The collection was purchased from the estate of I. R. M. McCallum in 1991.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
No appraisal information is available.
Occupation
- Publisher
- Manuscripts Division
- Finding Aid Date
- 1998
- Access Restrictions
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Collection is open for research use.
- Use Restrictions
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Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
Consists of Hinks's diaries (and typed transcriptions of them), drafts of John Goldsmith's edited version of them which was published as The Gymnasium of the Mind, and several folders of notes on "Sacred and Profane Love," "The Antique," and miscellaneous other topics. The diaries are arranged chronologically and numbered consecutively, though there are some missing numbers: 1 (except a note), 24, 25, 42-46.
This series is arranged into three subseries: Diaries, Manuscripts, and Notes.
Physical Description7 boxes
Consists of diaries for the years 1933-1963.
Arranged chronologically.
Physical Description5 boxes
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Consists of manuscripts for The Gymnasium of the Mind: The Journals of Roger Hinks, 1933-1963, edited by John Goldsmith, both the early and final drafts.
Arranged by draft.
Physical Description2 boxes
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1 folder
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2 boxes
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Consists of notes for "Sacred and Profane Love" and "The Antique."
Arranged by subject of note.
Physical Description1 box
1 folder
1 folder
1 folder
Contains correspondence of Hinks with his father, Arthur R. Hinks, from 1929 to 1945; correspondence (1936-1948) with his brother, David A. G. Hinks; and correspondence with some friends, including Bernard Berenson (1950-1953), Count Thure Bonde (1937-1962), Ian McCallum (1959-1963), and Patrick Thursfield (1957-1963). In addition, there is a thick folder of Francis Wormald's correspondence (mostly 1963-1964) as executor of Hinks's estate, as well as correspondence between Hinks's father and brother, dating from 1928; however, most of it is undated.
Arranged by correspondent.
Physical Description2 boxes
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Contains over 40 small notebooks, dating from 1932 to 1963. The contents of some have been crossed out with pencil marks. Many of the later ones are more like daily calendars of engagements rather than commentary. Placed at the end are a copy of The Arts (number two, 1946), containing Hinks's article "Mannerism", and a small amount of miscellaneous printed material.
Arranged chronologically.
Physical Description3 boxes
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Includeds datebooks (1943-1957) for Amsterdam, Rome, Athens; small sketchbook (1955); writings on art; lecture notes.
Physical Description2 boxes
Consists of a matted photo of Hinks seated at a desk, labeled at the bottom "C. G., Amsterdam, 1949"-with several copies.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder
Consists of a pocket watch and a set of keys, from whose keychain dangles a medallion depicting "La Vannée."
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder
Consists of a copy of Hinks's will (1959), a final accounting of Hinks's estate (1965), an inventory (1964) of Hinks's diaries and journals by Patrick Thursfield, and newspaper obituaries.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder