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Steven Gerber papers
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Held at: Haverford College Quaker & Special Collections [Contact Us]370 Lancaster Ave, Haverford, PA 19041
This is a finding aid. It is a description of archival material held at the Haverford College Quaker & Special Collections. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Steven Roy Gerber was born in Washington, D.C. on September 28th, 1948 to Karl and Leona Gerber. Throughout his adolescence and early adulthood he studied piano and composition with composer Robert Parris, who remained a close friend and mentor until Parris's death. While attending Haverford College, Gerber studied music under Professor John Davison and premiered in his freshman year an atonal piece for piano he had written in high school, the reception of which encouraged him to pursue composition as a career. He spent his junior year of college at Columbia University.
After graduating from Haverford in 1969, Gerber attended Princeton University with a four-year fellowship. After living briefly in Connecticut, he moved to New York City, where he lived and composed for the majority of his life. As far as musical style, Gerber employed serial composition through the 1970s, influenced by composers such as Milton Babbitt, Joachim Raff, and Yehudi Wyner. He adopted a loose atonal style in the 1980s and tended towards more diatonic and tonal works later in his career, although Gerber himself noted this change was not intentional. He produced numerous works for orchestra, voice, mixed choir, piano, and multiple iterations of chamber and other solo instrumental pieces. His solo vocal and choral works favored the texts from modernist poets such as Ezra Pound, Dylan Thomas, and Wallace Stevens, and poetry also influenced his orchestral, piano, and other solo works. In later years he frequently set the songs of William Shakespeare. His chamber works feature unusual combinations such as oboe and guitar. He often wrote on commission, most notably the orchestral work "Fanfare for the Voice of A-M-E-R-I-C-A." This piece, sometimes referred to as Gerber's "9/11 piece," was written for the Voice of America in 2002, premiered in D.C., and later performed as far away as Poland. Gerber's scores were published by Lauren Keiser and Mobart publishing companies.
Another important element of Steven Gerber's professional life was the frequency of performances in other countries, most significantly in Russia, where his music was performed multiple times, beginning with a 1990 tour that also included concerts in Moldova and Estonia. His works were also performed across the United States, especially in New York City, Washington D.C., and Maryland. Gerber is known for accompanying singer Christine R. Schadeberg and other musicians on piano when they performed his music in recital. Gerber's compositions were featured on several CDs, and two labels, Koch International and Chandos, each released a CD of Gerber works in 2000. Throughout his life he collaborated and corresponded frequently with other musical contemporaries such as Yehudi Wyner, Vladimir Ashkenazy, and Jan Swafford. Steven Gerber continued to publish music through 2013. He died on May 28th, 2015 of cancer.
Sources: Steven R. Gerber website. http://www.stevengerber.com/
21st Century Music. Michael, Dellaira. "Food for Thought with Steven Gerber." March 2002. http://www.21st-centurymusic.com/ML210203.pdf
The Steven Gerber papers relate to the professional and personal life of American composer Steven R. Gerber. This collection contains five series: "Compositions," "Business," "Personal," "Other Composers," "Audiovisual." The "Compositions" series consists of nine subseries, all related to Gerber compositions. The first six subseries are divided by the type of compositional work, including "Orchestral," "Chamber," "Vocal," "Choral," "Piano," and "Other Solo." They contain sketches, drafts, revisions, and final copies of many of Steven Gerber's compositions from 1967 to 2013. The seventh subseries, "Song Texts," contains loose texts from Gerber's vocal and choral works. The subseries "Unidentified Drafts," consists of sketches, drafts, and excerpts that cannot be identified as belonging to a particular work. These are organized by type of work or placed into an "other" folder if the draft cannot be categorized. The final subseries, "Computer Files," contains three disks of Finale and PDF files of Gerber scores.
The second series, "Business," contains papers related to the business side of Gerber's career. This series contains five subseries: "Financial," "Legal," "Publicity," "Publishing and Writing Guidelines," and "Musical Writings." The "Financial" subseries contains payment slips for royalties and ticket sales paid to Gerber in 2014. The "Legal" subseries contains patent/copyright slips 1991-2003 for musical works, copyright contracts 1967-1975 regarding literary texts for which Gerber obtained the rights, publishing contracts from Lauren Keiser and Bomart companies 1978-2015, and and recording contracts 1999-2015. The "Publicity" subseries contains papers related to public relations and premiers. It includes press releases to be sent out 1996-2009 regarding Gerber publishing, performance, and recording news; performance programs in which Gerber music is featured and notices from various companies announcing Gerber musical premieres; and internal documents sent between Gerber and his management relating to the plan for publicizing Gerber's musical accomplishments. It also contains professional biographies and lists of Gerber composition publications circa 1970-2015; posters from Russian tours and other performances; magazine interviews of Steven Gerber from 2001-2002; original and copied newspaper, magazine, and online reviews of Gerber works and performances from 1980-2013; clippings from Russian newspapers regarding Gerber performances and arts/culture from the period of the tours; and various papers and pamphlets regarding proper procedures for printing, publishing, and writing collected by Gerber. The final subseries, "Musical Writings," contains essays, composer obituaries, and interviews written by Steven Gerber.
The third series, "Personal," contains personal documents related to Gerber's interests, relationships, and social responsibilities. It consists of ten subseries. The first subseries, "Address Books and Contact information," contains several address books and assorted business cards, as well as notes containing phone numbers and addresses of colleagues, friends, and acquaintances. The second subseries, "Calendars and Planners," contains a 2015 calendar, and planners from 2008, 2009, and 2010 detailing appointments, concerts, and meetings with friends. The subseries "Clippings" contains newspaper, book, and magazine excerpts related to the stock market, and miscellaneous interests. The subseries "Collected Essays and Poems" contains materials collected but not written by Gerber, such as magazine articles regarding music, the economy, literature, international relations, and other intellectual interests, as well as miscellaneous poems, possibly by friend Paul Breslin, who often sent Gerber his drafts. The subseries "Diaries, Notes, and Scrapbooks" contains a travel diary from the 1990 Russia tour, miscellaneous notes, and a scrapbook containing obituaries, stock reports, and newspaper clippings. The subseries "Legal" contains personal legal documents such as leases, Gerber's birth certificate, and and the estate evaluation of Ellen P. Hymes. The "Photographs" subseries consists of a large number of photographs, most unidentified. The first several folders contain photographs and albums from trips and vacations to locations such as Oaxaca, Mexico, Cuba, Japan, Tunisia, and the United Kingdom. The rest of the subseries contains miscellaneous rolls of film, pictures of friends and family, and photographs of Gerber circa 1960-2015. The "Postcards and Art" subseries contains collected postcards from possible trips, gallery openings programs, and a few pieces of miscellaneous small drawings and paintings. The final subseries, "Miscellaneous Memorabilia," contains items from Karl Gerber's birthday, trip itineraries, ticket stubs from musical events and plays, a Gerber family tree, and a package of photocopied diaries/letters from 1948 from an unidentified correspondent in the Navy.
The fourth series, "Correspondence," contains both business and personal correspondence from 1960-2015; often a single letter will contain both professional and social information concurrently. The first subseries, "Common Correspondents," contains letters and postcards to and from nineteen correspondents who show up frequently in the collection including friend Paul Breslin, parents Karl and Leona Gerber, and composers Yehudi Wyner, Jan Swafford, and Robert Parris, and publisher/friend Max Schubel. The second subseries, "Professional Correspondence" contains correspondence specifically related to business including letters from publishing companies, nominations for awards by colleagues, notifications of Gerber receiving composing awards, and correspondence from composer-related organizations. The final subseries, "Other Correspondence," contains invitations to parties, concerts, and events; letters Gerber wrote to editors of publications and their responses, other correspondence 1961-2015; and undated and/or unsigned correspondence circa 1960-2015.
The fourth series, "Other Composers," contains materials related to other composers and their music. The largest of the three subseries, "Compositions," is comprised of collected compositions by other composers, which may be of interest to researchers as they are often annotated by Gerber. Some of the compositions were organized into folders by Gerber and retain that order, denoted by the title "Gerber File." The remaining loose compositions are organized alphabetically. This section includes compositions by Milton Babbitt, Roger Sessions, Robert Parris, Arnold Schoenberg, Arvo Part, Aaron Copland, Johannes Brahms, Wolfgang Amadeus Mozart, Billy Layton, and others. The majority of the compositions are complete and the composer is known, but some are partial and/or do not state the author. The second subseries, "Song Texts," is comprised of loose texts used in pieces by other composers. The corresponding works may or may not be present in the collection. Additionally, the subseries contains a collection of the texts and music of the American spirituals which became the basis for Gerber's multiple settings of "Spirituals" for orchestra and chamber ensembles. The third subseries is titled "Biographies and CVs" and contains the resumes or CVs, as well as biographies, belonging to other composers. The final subseries, "Programs and Works Listings" contains collected programs not featuring Gerber and printed lists of other composers' musical works.
The final series, "Audiovisual," consists of audio recordings related to Gerber and others. The subseries "Gerber Recordings" contains professional recordings and public relations samples of Gerber works, as well as informal recordings of Gerber's, including reel to reel tapes of concerts and early works. The subseries "Miscellaneous Audio" contains informal recordings of other composers and a bibliography of Gerber's professional CD and cassette tape collection of artists and composers like Gustav Holst, John Coltrane, and Billie Holiday.
Series I. Compositions 1966-2014
- Subseries I. Orchestral 1981-2008
- Subseries II. Chamber 1967-2013
- Subseries III. Vocal 1966-2014
- Subseries IV. Choral 1972-2004
- Subseries V. Piano 1976-2014
- Subseries VI. Other Solo 1967-2014
- Subseries VII. Song Texts 1966-2014
- Subseries VIII. Unidentified Drafts 1966-2014
- Subseries XI. Computer Files 2001-2011
- Subseries I. Financial 2014
- Subseries II. Legal 1991-2015
- Subseries III. Publicity 1970-2015
- Subseries IV. Publishing and Writing Guidelines 1980-2010
- Subseries V. Musical Writings 1980-2015
- Subseries I. Address Books/Contact information, 1980-2010
- Subseries II. Calendars and Planners 2008-2015
- Subseries III. Clippings 1960-2015
- Subseries IV. Collected Essays and Poems 1981-2010
- Subseries V. Diaries, Notes, Scrapbooks 1970-2015
- Subseries VI. Legal documents 1948-2014
- Subseries VII. Photos 1945-2015
- Subseries VIII. Postcards/Art 1970-2015
- Subseries IX. Miscellaneous Memorabilia 1945-2009
- Subseries I. Common Correspondents 1961-2015
- Subseries II. Professional Correspondence 1985-2011
- Subseries III. Other Correspondence 1960-2015
- Subseries I. Compositions 1778-1999
- Subseries II. Song Texts, 1960-2014
- Subseries III. Biographies and CVs 1990
- Subseries IV. Programs and Works Listings 1990-2015
- Subseries I. Gerber Recordings, 1960-2013
- Subseries II. Miscellaneous Audio, 1960-2014
The Steven Gerber papers were donated to Special Collections, Haverford College in July, 2017 by the Steven R. Gerber Trust.
Processed by Alice Berry; completed August, 2018.
- Publisher
- Haverford College Quaker & Special Collections
- Finding Aid Author
- Alice Berry
- Finding Aid Date
- August, 2018
- Access Restrictions
-
The collection is open for research use.
- Use Restrictions
-
Standard Federal Copyright Laws Apply (U.S. Title 17).
Collection Inventory
"Harmonium": one notated copy, two final copies
"Symphony No. 1": one loose draft, one notated copy
"Symphony No. 1": two notated copies
"Symphony No. 1": one final copy
"Serenade for String Orchestra": one final copy, score parts
"Dirge and Awakening" parts and "Piano Concerto" notated copy
"Piano Concerto" parts
"Piano Concerto" parts
"Piano Concerto" final copies
"Piano Concerto" parts
"Piano Concerto" parts
"Violin Concerto" one copy score, parts
"Violin Concerto" parts
"Viola Concerto" score draft
"Viola Concerto" two loose scores, two bound scores
"Viola Concerto" parts
"Serenade Concertante": notated score, final copy, parts
"Triple Overture" notated score, two final copies
"Triple Overture" parts
"Spirituals for String Orchestra" three final scores
"Spirituals for String Orchestra" parts
"Clarinet Concerto": score draft, two final score copies
"Clarinet Concerto": score draft, two final score copies
"Fanfare for the Voice of A-M-E-R-I-C-A" score copies
"Fanfare for the Voice of A-M-E-R-I-C-A" parts
"Symphony No. 2" parts
"Symphony No. 2" parts
"Symphony No. 2" revised parts pages
"Two Lyric Pieces" score and parts, "Dialogues" notated score, parts
"Music in Dark Times" notated score, notated copies, and drafts, "Rhapsody for Oboe and String Orchestra" score and parts
Oversize "Harmonium" copies and parts (drafts and notated copies), "Serenade" drafts and copies
Oversize "Piano Concerto" draft and copies, "Dirge and Awakening" copies and parts
Oversize "Violin Concerto" notated copies and drafts, "Cello Concerto" notated copies and parts, "Viola Concerto" copies, "Triple Concerto" draft and notated copy,
Oversize "Spirituals" drafts, "Fanfare" sketch, "Clarinet Concerto" drafts "Two Lyric Pieces" drafts, "Variations For Orchestra" draft and copy, "Music in Dark Times" notated copies, "Symphony No. 2" draft and copies
"Woodwind Quartet' final scores, "Trio for Violin, Cello, and Piano" notated score, final scores
"Duo for Violin and Cello" notated copy, final copy
"String Trio" sketch, notated draft, final copy, parts
"Nexus" sketch, "String Quartet" sketch, final copies, "Duo for Flute and Piano" draft
"Dreamwork" final copies, "Duo for Viola and Piano" final copies, "String Quartet No. 2" draft and copy
"Concertino" corrections, drafts, final copies
"Duo in Three Movements" draft, final copies
"Duo in Three Movements" final copies
"Woodwind Quintet" corrections, final copies, "Fantasy Quartet" final copies
"String Quartet No. 3" draft, final score, parts copies
"Piano Quintet" annotated draft, final copy
"String Quartet No. 4" final copies, parts
"Fantasy, Fugue, and Chaconne" final copies, "Five Canonic Duos" final copy, "Notturno" parts, final scores
"Sonatina for Oboe and Guitar" final parts, scores
"Three Pieces for Two Violins" notated draft, final copy, "Gershwiniana" final copies
"Spirituals for Clarinet and String Quartet" final scores, parts
"String Quartet No. 5" notated copy, final copies
"String Quartet No. 5" parts
"Three Folksong Transformations" notated copies, final scores, parts
"Spirituals for String Quartet" notated draft, final scores, parts
"Chaconne and Fugue" sketch and draft, "Five Greek Folksongs" final copies, parts
"Dialogues" for Clarinet and Piano" notated scores, parts
"Two Antiphonal Pieces" draft, final copies
"Norma's Variations" drafts, notated drafts, final copies, parts
"Spirituals Book 2" final copies
"String Quartet No. 6" drafts, final scores, parts
"In Memory of Milton" final copies, parts
Oversize "Sonata for Violin and Piano" notated copies and drafts,"Woodwind Quartet" draft, "Variations" notated copies, "Trio" drafts, "Duo for Violin and Piano" notated copies, "Duo for Violin and Cello" draft, "Nexus" notated copies, "Duo for Flute and Piano" notated copies, "Dreamwork" notated copies and drafts, "String Quartet No. 1" draft
Oversize "Duo for Viola and Piano" draft, "String Quartet No. 2" notated copy and draft, "Duo in Three Movements" notated copies and drafts, "Concertino" notated copies and parts, "Woodwind Quintet" notated copies and draft, "Fantasy-Quartet" notated copy, "Piano Quintet" notated copy, "String Quartet No. 4" notated copy, "Notturno" notated copy, "Five Canonic Duos" draft, "Prelude and Fugue" copy, "Fantasy, Fugue, and Chaconne" notated copies and draft, "Five Greek Folksongs" notated copy and draft
"After The Funeral" copy, "Three French Songs" copies, "Doria" copies, "My Papa's Waltz"
"Two Lyrics of Gerard Manley Hopkins" final copies
"Sestina: Altaforte" final copies, "Songs from 'The Wild Swans at Coole'" excerpts, notated drafts, final copies, "Desert Places" final copies, "Words For Music Perhaps" final copies, "Four Elegaic Songs" draft
"Six Songs of William Shakespeare" draft, "24 Songs" final copies
"24 Songs" final copies
"Five Shakespeare Songs" drafts, final copies, "Three Poems of Ben Jonson" final copies, "Wessex Songs" final copy
Oversize " Three French song" drafts, "My Papa's Waltz" drafts, "Black Hours" sketches, drafts, "Sestina" drafts, "Desert Places" drafts, "Drum-Taps" drafts, "Four Elegaic Songs" drafts, "After the Funeral" notated copies, "Doria" copy and notated copy, "Two Lyrics" notated copy, "Five Sonnets of Gerard Manley Hopkins" draft, "Songs from the Wild Swans at Coole" notated copy
Oversize "Two Lyrics" notated copy, "Five Sonnets of Gerard Manley Hopkins" draft, "Songs from the Wild Swans at Coole" notated copy, "Six Songs of William Shakespeare" notated copy
"Dylan Thomas Settings" draft and copies, "Illuminations" notated copies, final copies, "Ceremony After A Fire Raid" final copies,"Words for Music Perhaps" drafts and notated copy
"Un Saison En Enfer" final copies
"Sessions of Sweet Silent Thoughts" notated drafts, final copies
Oversize Drafts/notated copies "Dylan Thomas Settings", "Illuminations", "Ceremony After a Fire Raid," "Un Saison"
"Voices" final copies, "Piano Sonata" final copy, "Two Intermezzi" final copies
"Cocktail Music" notated drafts, final copies
"Three Little Duets" final copies, "Variations on Madam I'm Adam" final copies
Oversize Two Toccatas" notated copy, "Variations" notated copy, "Voices" notated copy, "Piano Sonata" notated copies and draft, "Cocktail Music" draft/sketch, "Two Intermezzi" draft and copy,
Assorted texts for choral and vocal pieces
"Fantasy for Solo Violin" notated copies, drafts, final copies, "Epithalium" final copies, "Fantasy for Solo Cello" final copies, "High Wood" notated copy, "Three Songs Without Words" drafts, notated copies, final copies, "Elegy on the Name 'Dmitri Shostakovich' for Solo Viola" drafts, final copies, "Elegy on the Name 'Dmitri Shostakovich' for Solo Cello" final copies, "Duet for Solo Clarinet" final copies, "Siloloquy" final copies
Oversize "Fantasy for Violin" draft and notated copy, "Epithalium" drafts and copy, "Fantasy for Cello" copy, "High Wood" copy and draft, "Elegy" draft and copy, "Duet" copies
Oversize Drafts that cannot be made sense of. marked, some printed, some handwritten (many are oversize also), "Fantasy on Four Notes" [?]
Oversize, More drafts that cannot be identified
Oversize Unidentified drafts, scribbles, sketches
Oversize Unidentified drafts that seem to be orchestral
Oversize Unidentified drafts that seem to be other solo works (not piano)
Oversize Unidentified drafts that seem to be piano works
Oversize Unidentified drafts that seem to be vocal works
Oversize unidentified drafts that seem to be chamber works
CDs containing PDF and Finale files for Gerber music, including scores and parts. The three CDs are for 2008, 2009, 2011 but the files inside range 2001-2011
Assorted royalties and ticket sales
Copyright slips
Contracts granting rights to texts
Rights to music publishing companies
Rights to recording companies (Chandos, Koch)
Press releases about Gerber music
Programs and premieres featuring Gerber, including two Russian programs
Internal PR documents
Biographical notices, lists of works
Interviews of Gerber
Oversize posters from Russian tours, including Bulgaria, Moldova, Ukraine, and Romania [?]
Oversize posters from (le) poisson rouge
Newspaper and magazine reviews
Newspaper and magazine reviews
Newspaper and magazine reviews, compiled reviews from multiple sources
Clippings from Russian newspapers related to Gerber performances
Clippings from Russian newspapers from Gerber tours. Some are related to his performances but also include some more general articles about culture, music, international relations
Oversize newspaper reviews, 2
Guidelines on how to notate music, how to create an archive of compositions after death
Obituaries, essays, interviews written/conducted by Gerber
Address book with business cards
Address book with business cards
Miscellaneous contact info
Planners from 2008, 2009, 2010 and calendar 2015
Newspaper clippings on stock market
Newspaper and magazine clippings misc, including Russian clippings
Oversize newspaper and magazine clippings related to deaths of writers, art, literary criticism
Oversize magazine and newspaper clippings, one instance of Spanish, two instances of Russian
Musical writings by composers, found within the compositions section of the collection: J.K. Randall, Donald Martino
Essays, articles, poems of miscellaneous types related to intellectual interests
More essays/articles of misc types. This folder was intact and was labeled "General Intellectual Interests, misc"
Travel diaries 1990
Assorted notes, Italian language practice notes
Leases, estate evaluation of Ellen P. Hymes, Steven's birth certificate, passport copy
Travel photos
Travel photos
Recital photos, travel photos
Camp Ramapo, Princeton, travel
Travel photos, family and friends
Travel photos
Dinner party photos
"Europe 1991-1992, Japan, misc., old photos including GDS, Norma in 85"
"Europe 1991-1992, Japan, misc., old photos including GDS, Norma in 85"
"1997 Robert Volubilis (Morocco), Europe with Richard '91 and/or '92. Then '95 grad. pictures, California"
"1997 Robert Volubilis (Morocco), Europe with Richard '91 and/or '92. Then '95 grad. pictures, California"
"2001 Tunisia, 1994 Japan, 1995 Yorkshire-Chester Wales-Devon, 1994 [?] in NY + Olana , 1992 Ethical Culture grad, camp visiting day"
"2001 Tunisia, 1994 Japan, 1995 Yorkshire-Chester Wales-Devon, 1994 [?] in NY + Olana , 1992 Ethical Culture grad, camp visiting day"
"10/90 trip to USSR, 5/91 trip to USSR, Summer 91 visit to Ros [?] house, Spring 90 R in the Return of Ulysses Thanksgiving at Pearlman's ap't at 437 W 57 PHE, fall 90"
"Syria 1/10, Rhodes 2/10, Visits 3/10"
Old family photos
"Poland 7 or 8/10, Dresden and Leipzig 6/09, Syria 12/09-1/10"
"Barcelona 12/08, visits 12/08, Bangkok 1/09, Hong Kong and Macao 3/09"
"Etruscan Italy 10/07, Jordan 10/05, Etruscan Italy 10/07, Caves [?] and Castles [?] 9/08"
Assorted photos from what appears to be Europe (maybe Italy)
"Hong Kong 3/09, San Francisco 3/09, Catalonia [?] 5/09, Montreal 5/09, Dresden 6/09"
"Cyprus, Crete, and Santorini with Bob Stiglitz 9/09"
"Caves and Castles 9/08, Zurich 11/08, Geneva 11/08, Barcelona 12/08"
"Malta and Rome 10/09, Syria 12/09-1/10"
Photos of Steve from childhood, with composers, with friends
Travel photos
Travel photos
Misc photos of friends and family
Misc photos of friends and family
Travel photos
Travel photos
Travel photos, friends and family
Says "Ellen de Franco, LA, Paul and Melanie hersch, SF, Judith and Mark, Richard and 'Us'" contains photos of family, friends, and travel
Landscapes, buildings
Exhibition programs, postcards possibly from travels (unmarked)
Letters from Austins regarding personal updates, etc
Music, poetry, personal
Music, personal
Personal
Personal
Personal
Personal
Family, childhood
Dating, therapy, friendship
Music
Personal
Personal
Personal
Personal, music (long-time music and composition teacher)
Music (collaborator), personal
Opus One, publishing, personal
Music, personal
Music, personal
Music, personal
Letters from people nominating Steve for awards (including one instance of Russian), letters alerting Steve that he has won awards
Letters from the publishing company
Things about composing
Invitations to weddings and parties
Letters Steve wrote to editors and their responses
Letters from friends and family, music, childhood and college
Friends, family, postcards
Friends, family, postcards
Emails, friends and family
Carl Nielsen, Serge Prokofieff, Jean Sibelius
Henryk Mikolaj Gorecki
Aaron Jay Kernis
Arnold Schoenberg
Milton Babbitt, Peter Westergaard, Alban Berg, Anton Webern
Benjamin Britten
Thomas Ades
Hans Werner Hanze, Wolfgang Amadeus Mozart, Vladislav Shoot (in Russian)
Oversize, Mozart
Billy Layton
Godfrey Winham
Richard Strauss
Ralph Shapey
Jean Sibelius
Igor Stravinsky
Shulamit Ran, Elliott Carter, Edgard Varese, Stefan Wolpe
Yehudi Wyner, John Harbison
Yehudi Wyner, John Harbison
Wolfgang Amadeus Mozart, Guillaume de Machaut, Franz Schubert, Orlando de Lasso
Peter Westergaard, Milton Babbitt, Anton Webern, unidentified
Milton Babbitt, Peter Westergaard [?]
Aaron Copland
Alban Berg, Frank Martin, Roger Sessions, Milton Babbitt, Jacob Druckman, Aaron Copland, Claude Debussy, Maurice Ravel, Bela Bartok, Arnold Schoenberg, William Schuman, Unidentified
Oversize Alban Berg, Frank Martin, Roger Sessions, Milton Babbitt, Jacob Druckman, Aaron Copland, Claude Debussy, Maurice Ravel, Bela Bartok, Arnold Schoenberg, William Schuman, Unidentified
Elliott Carter
Michael Dellaira, Aulis Sallinen, Arnold Schoenberg, unidentified
Zoltan Kodaly, Earl Kim
Arvo Part, Alfred Schnittke
Robert Evett, N. Skalkottas, Elliott Carter, David Lewin, Luigi Dallapiccola
George Crumb
J. N. Hummel
Samuel Barber, Jeffrey Kresky, L.V. Beethoven
Oversize Kresky
Unknown. Perhaps Marchaut?
Oversize unknown
Leos Janacek, Paul Hindemith
Oversize Leonard Bernstein
Milton Babbitt, Bela Bartok, Johannes Brahms, L.V. Beethoven, Earl Kim, Meye Kupferman, Donald Martino, Wolfgang Amadeus Mozart
Oversize Georges Bizet, Mario Davidovsky, George Edwards, Robert Evett, Fred Lerdahl, Frank Martin
Conlon Nancarrow, Robert Parris, Arvo Part, Willem Pijper
Oversize Robert Parris 1945-1959
Oversize Robert Parris 1960-1979
Oversize Robert Parris 1979
Joachim Raff, George Rochberg, Arnold Schoenberg, Jan Swafford,
Oversize Joachim Raff, J.K. Randall, Nicolas Rosalvetz, Yehudi Wyner
George Tsontakis, Yehudi Wyner
Unidentifiable, miscellaneous scores
Oversize orchestral work from 1977, vocal and mixed group cycle from 1978
Spirituals words and music that became basis for Gerber "Spirituals"
Oversize spirituals words and music that became Gerber "Spirituals"
Poems/Texts from Ravel, Renard, Schumann, Mozart, other
Vladimir Vais, Robert Parris, Ilya Kataev, Vladimir Ponkin (conductor),
Oversize of Robert Evett
Robert Parris, Yehudi Wyner, other
Reel to reel tape recordings of early works
Reel to reel tapes of early works
Reel to reel tapes of early works
Reel to reel tape of Novosibirsk concert, March 1994
Informal CD recordings of various pieces from concerts, rehearsals, etc. Many are undated, but a portion is from 1999-2013
Professionally recordied and published CDs from Koch, Chandos, and others
A small portion are dated but the majority are not. They are tapes that appear to be copied from other cassettes and include other composers' work. Some of the composers are friends/contemporaries, such as Parris and Kernis. There is some pop music and some classical music by composers such as Stravinsky. Some tapes are labeled differently than their cases
Reel to reel tapes of Robert Parris
Cassette and CD recital recordings, memorial services, copied tapes of other music, recordings of works not by Gerber, bibliography
Cassette and CD recital recordings, memorial services, copied tapes of other music, recordings of works not by Gerber, bibliography
Cassette and CD recital recordings, memorial services, copied tapes of other music, recordings of works not by Gerber, bibliography, unidentified tapes (it is possible some are Gerber's)